On the same day Abbey is diagnosed with ovarian cancer, she and her girlfriend, Miranda, are invited to dinner by Miranda’s former self-help group to celebrate the return of their estranged friend, Scott, who left to discover the origins of their practices. Throughout the night, Abbey realizes that all is not as it seems, that no one is as who they’ve portrayed themselves to be, and that Scott and the others have their own sinister methods by which they intend to heal her cancer-wracked body.
23 years ago, Bill Drummond ceased activities as part of the enormously successful pop group The KLF. Since 2014 he’s been on a World Tour, travelling the world with his show – The 25 Paintings – visiting a different city each year. In December 2016 he based himself in Kolkata, while in the Spring of 2018 he was in Lexington, North Carolina. In each place he carries out his regular work, setting up a shoeshine stand in the street, building a bed in order to give it away, walk across the longest bridge he can find at dawn banging his parade drum, start knitting circles with whoever wants to join him, baking cakes and offering them to people whose houses sit on a circle he’s drawn on a map of the city. He’s not rich and he’s deliberately designed his actions so they can’t be monetized. He’s mostly been ignored by the art world. So what is he doing it all for? Director Paul Duane shadowed Bill Drummond for three years before starting this film in order to achieve some level of …
A gang of thieves plan a heist during a hurricane and encounter trouble when a cop tries to force everyone in the building to evacuate.
A troubled federal agent with a bloody past struggles to suppress her demons while being taunted by a serial killer. A near death experience threatens to unleash her madness and put her on a collision course with her own FBI team and her nemesis. After a lifetime of being abused and left for dead, will the killer inside finally rise?
A young widow returns home for the first time in three years to help prepare her sister’s wedding. She is forced to confront her past, including the man she never expected to fall for.
Claire (Gina Carano), an ex-military specialist, comes home to the recent news of her father’s passing only to find herself at odds with her defiant 13-year-old son, Charlie (Anton Gillis-Adelman). With the news that Claire has inherited a large sum of money from her father’s business Charlie is kidnapped for a ransom. Instead of seeking help Claire takes one of the kidnappers, Larsen (Brendan Fehr), as a hostage and forces him to lead her on a perilous journey to rescue her son from the mysterious figure only known as the Father (Richard Dreyfuss). The trek takes Claire deep in the mountains of the Yukon, near the US – Canadian border as a winter storm approaches. As the odds of survival start to mount against Clair she has no choice but to form an unlikely alliance with Larsen in order to save her son and survive the wild of the far North.
Follows Lucy and Desi as they face a crisis that could end their careers and another that could end their marriage.
Jodie Carpenter is the owner of ‘The Loft’, her family’s sail-making company located near quaint Redmond’s Bay Marina. When luxury developer Charles Prescott purchases the port looking to carry out a lavish expansion, Jodie fears that her business and heritage will be torn down and replaced. Joining forces with her friends and some of the town locals, Jodie fights to save the marina, all while vowing to launch a boat she and her father were refurbishing together before his untimely death. Meeting Will Calvin – the architect who developed the plans for the new marina – Jodie spends her time teaching him about the community and hopes he can harmonize his plans with local culture and traditions to ensure the sustainability of already established businesses. While clashing at first, it is not long before Jodie and Will discover their time together has steered into a friendship that ultimately sets sail for romance.
The world is closing in on Greta Driscoll. On the cusp of turning fifteen she can’t bear to leave her childhood, it contains all the things that give her comfort in this incomprehensible new world. She floats in a bubble of loserdom with her only friend Elliott, until her parents throw her a surprise 15th birthday party and she’s flung into a parallel place; a world that’s weirdly erotic, a little bit violent and thoroughly ludicrous – only there can she find herself. Based on the critically acclaimed production by Windmill Theatre, GIRL ASLEEP is a journey into the absurd, scary and beautiful heart of the teenage mind.
Beth, an already lonely and isolated woman living in Los Angeles, suffering from late-stage Chronic Lyme Disease finds herself at the end of her rope when a global pandemic and encroaching wildfires make her already complicated and stressful prognosis that much more dire. When her Lyme-literate doctor forces her to confront the traumas and demons of her past to get her dangerously high inflammation levels down, immunocompromised Beth is brought to her knees by the process. On a particularly bad night, she receives a video chat “wrong number” by a mysterious man living in New England who brings her much needed humor, comfort and understanding through the screen. As their unlikely romance develops, secrets are revealed, truths unearthed, and a new cosmic world is discovered as a way to be with the ones we love during a time when face-to-face is near impossible. As the world continues to burn, two lovers find their footing in astral projection. But they can’t ignore reality forever.
Meg has the life she thinks she wants. Then she turns 39 and realises there’s something she’s been missing…a baby.
A chronicle of Gertrude Bell’s life, a traveler, writer, archaeologist, explorer, cartographer, and political attaché for the British Empire at the dawn of the twentieth century.
