A drama that follows the travails of the Pineda family in the Filipino city of Angeles. Bigamy, unwanted pregnancy, possible incest and bothersome skin irritations are all part of their daily challenges, but the real “star” of the show is an enormous, dilapidated movie theater that doubles as family business and living space. At one time a prestige establishment, the theater now runs porn double bills and serves as a meeting ground for hustlers of every conceivable persuasion. The film captures the sordid, fetid atmosphere, interweaving various family subplots with the comings and goings of customers, thieves and even a runaway goat while enveloping the viewer in a maelstrom of sound, noise and continuous motion.
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NEW FULL SCREEN PROPER DVDRIP COPY FROM ANOTHER SOURCE WITH ENGLISH SUBTITLES
Four beauty pageant contestants, who are vying for the coveted title of “Miss Manila Sunshine”, set sail on a yacht. They ended up stranded on a deserted island after their vessel got caught up on fire. Together with an attractive young man, a maid and the gay pageant director, the four ladies found life “anything but dull”.
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Rosanna Roces, Joy Louise Evidente, Kristoffer Grabat, Publio Briones, Raffy Tejada.
Mama Saleng (Rosanna Roces) is a religious fanatic who owns a boarding house and a canteen. As a child Salen was accused along with her grandmother, of being an aswang. Her thirst for human flesh was quenched during the Martial Law years, who she met Jessie Beltran, an undercover agent tasked with the brutal extermination of activists on PAnay Island. Mama Saleng came to enoy killing, becoming like the “aswang” she was accused of being. She continues to indulge her monstrous appetites among her hapless lodgers.
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This film explores the theme of the biblical Magdalene – the prostitute who becomes a saint. This modern-day Magdalene story is about a very young and sinful girl who is suddenly confronted by the evil in her life when she receives the stigmata in her dreams.
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GMA 7′s Lovi Poe and ABS-CBN’s Joem Bascon star in the movie with a strong supporting cast such as Jacky Woo (also the movie producer), Jake Roxas, Ricardo Cepeda, Rico Barrera, Ai Ittogi and Tetchi Agbayani. Lovi plays Maria, a 16-year-old liberated teener, while Joem portrays the boyfriend named Ryan who is longing to devirginize Maria.
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Soledad Arvis (Rita Avila) is a middle-aged college instructor; Joven Magat (Edgar Allan Guzman) a fire dancer who barely finished high school. Sol is a liberated woman who had a string of relationships. Joven had no previous girlfriend except for a high school crush.
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Intoy is secretly in love with his friend Jenny, the most beautiful girl in the campus. Jenny is rich and quirky; Intoy is street-smart and ordinary. But this friendship is not simple, since Jenny has bestowed on Intoy some perks and privileges, including going to bed with her on the condition that they will not fall in love with each other. Intoy feels that he has to shed his pretensions of being astig and finally profess his love for Jenny. But he is devastated to learn that Jenny is pregnant. Worse, Jenny tells him: “Don’t worry, this is not yours.”
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Lara, a preschool teacher and owner, is widowed five months after she married her boyfriend of five years, Oliver. Several months after his death, she meets Chris, a young man also suffering from the loss of his spouse. They become friends and help each other move on. But as their friendship grows, their unmistakable attraction for each other grows. Can these two broken people find love again? Or will the ghosts of their past tear them apart?
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Five friends with below average intelligence earn the wrath of a wealthy bride-to-be. For this, they are framed for murder. The five have to escape from prison and try to clear their names on the outside.
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Kalakal is a story about the disturbing truth on living in a poor neighborhood and the extremities that people can do to make ends meet. This unvaryingly demonstrates how people will trade their dignity and principles in exchange of nurturing life’s vanities whether it would be satisfying physical needs leading to human trafficking and violence, or just plainly get a hold of someone’s decision on money by using seduction. Thus, we’re taught that we reap whatever it is that we invest in life. In either good or bad, karma will prevail.
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Wretched Lives focuses on Vanessa, a cosmetics consultant who is forced to care for her troubled and mentally challenged sister after the sudden death of their mother. Her hustler boyfriend, Olivier, seems unreliable and Vanessa soon abandons him for Uno, an ostensibly liberal and caring substitute. Central to Wretched Lives is its outrage at the manipulation of the poor for purely political purposes. When riots are staged, organizers use the poor as a front and then abandon them, leaving them to distrust even those who actually try to support them. Liberals are only public liberals; when they come home, they follow a completely different agenda. Innocence is a license to be abused.
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Paolo portrays the taxi driver who divides his time between his lover and his wife Katherine – a former waitress who is now selling beauty products for a living, and Arnold Reyes plays the engineer and nurturing lover of Paolo. By living with such an arrangement, the three lovers become the target of the community. Things take a drastic turn when Dante (Paolo) sees a bag full of money inside his taxi. Now that they have money, will they still decide to stay together or go their separate ways?
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