
While caring for her brother along with her audacious mother , a teenager strikes up a friendship with an eccentric activist who is protesting one of the most landmark medical cases of all time.

While caring for her brother along with her audacious mother , a teenager strikes up a friendship with an eccentric activist who is protesting one of the most landmark medical cases of all time.

When Ana is upgraded to first class on a work trip, she meets handsome Will, who mistakes her for her boss. The white lie that sets off a glamorous chain of events, romance, and opportunity, until her fib threatens to surface.

Political intrigue and deception unfold inside the United Nations, where a U.S. Secret Service agent is assigned to investigate an interpreter who overhears an assassination plot.

Last Call tells the tale of a bitterly alone man, Scott, played by Daved Wilkins who calls the Suicide prevention hotline, but accidentally calls Beth, a janitor played by Sarah Booth.

After a one night stand with the woman of his dreams, Nick starts experiencing otherworldly phenomena in his house during a party. As people disappear, their goal becomes clear: make it out of the party alive or fall victim to the Curse of the Siren.

A young mother’s “American Dream” turns into a living nightmare, until she finds the inner strength to listen to a voice she hadn’t heard before: her own.

Follows Lucy and Desi as they face a crisis that could end their careers and another that could end their marriage.

Julie, who just moved to a new town, joins the high school cheer team under Coach Allison, who will do everything to cover up a mysterious accident that suffered one of the cheerleaders, even if it means sacrificing her own cheerleaders.

1972. Vietnam war protests and racial tension is sizzling in the late summer heat of Tuscaloosa, Alabama. Billy Mitchell (Devon Bostick, Diary of a Wimpy Kid), a recent college graduate, spends the summer working on the lush grounds of an old world mental institution run by his psychiatrist father (Tate Donovan, Argo). Billy falls in love with Virginia (Natalia Dyer, Velvet Buzzsaw, Stranger Things), a patient who is possibly crazy, or perhaps she is the only sane person Billy has in his world. Billy’s best friend Nigel (Marchant Davis) becomes involved with a radical civil rights terrorism movement against Tuscaloosa’s power elite, which includes Billy’s father. Billy is torn between Nigel, his father and his cronies, and Virginia who is planning her escape with or without Billy.

Jodie Carpenter is the owner of ‘The Loft’, her family’s sail-making company located near quaint Redmond’s Bay Marina. When luxury developer Charles Prescott purchases the port looking to carry out a lavish expansion, Jodie fears that her business and heritage will be torn down and replaced. Joining forces with her friends and some of the town locals, Jodie fights to save the marina, all while vowing to launch a boat she and her father were refurbishing together before his untimely death. Meeting Will Calvin – the architect who developed the plans for the new marina – Jodie spends her time teaching him about the community and hopes he can harmonize his plans with local culture and traditions to ensure the sustainability of already established businesses. While clashing at first, it is not long before Jodie and Will discover their time together has steered into a friendship that ultimately sets sail for romance.

The Man in the Hat journeys through France in a Fiat 500 accompanied by a framed photograph of an unknown woman. He is pursued by five angry men in a Citroën Dyane. Why are they chasing him? And how can he shake them off?

In order to avoid an X rating, 40 minutes of gay S&M footage was rumored to be cut and destroyed from the 1980 film, “Cruising.” Inspired by the mythology of this controversial film, filmmakers James Franco and Travis Mathews collaborate to imagine their own lost footage. Amid the backdrop of a frenzied film set actor Val Lauren reluctantly agrees to take the lead in the film. Val is repeatedly forced to negotiate his boundaries during scenes on and “off camera,” as unsimulated gay sex happens around him. The film itself is constructed as a play with boundaries remaining queer in subject and form. As much a film about filmmaking as it is about an exploration of sexual and creative freedom, “Interior. Leather Bar.” defies easy categorization.