“For more than nine hours I sat and watched a film named “Shoah,” and when it was over, I sat for a while longer and simply stared into space, trying to understand my emotions. I had seen a memory of the most debased chapter in human history. But I had also seen a film that affirmed life so passionately that I did not know where to turn with my confused feelings. There is no proper response to this film. It is an enormous fact, a 550-minute howl of pain and anger in the face of genocide. It is one of the noblest films ever made” – Roger Ebert.

Shoah is a nine-hour film completed by Claude Lanzmann in 1985 about the Holocaust (or Shoah). Though Shoah is conventionally classified as a documentary film, director Lanzmann considers it to fall outside of that genre as, unlike most historical documentaries, the film does not feature reenactments or historical footage; instead it consists of interviews with people who were involved in various ways in the Holocaust, and visits to different places they discuss.

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When a bizarre accident leaves desperate housewife Bunnie with a case of amnesia, her dysfunctional family gets an unexpected second chance at happiness. Hilarious comedy starring Dermot Mulroney, Hope Davis, “Mad Men’s” Christina Hendricks, “United States of Tara’s” Brittany Robertson, “Human Target’s” Chi McBride, “Burn Notice’s” Gabrielle Anwar, Selma Blair, Bow Wow and more.

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The Messenger is simply stunning and beyond all expectations, with fantastical action sequences of Joan in communication with higher powers. Luc Besson presents us with his stylistic and heretical grand-scale feature that is thoroughly compelling. Like all of Besson’s films, The Messenger is highly stylized, nicely cast, and visually powerful!

A young, illiterate peasant girl convinces the dauphin of France to give her an army, and she leads them to victory in Orleans, only to be burned at the stake for heresy – but Milla Jovovich, in the title role, is a woman possessed. Her influences are less than heavenly; as a child she witnesses the murder of her sister by the English, a death caused by the sister’s giving her hiding place to young Joan, which causes an intense desire for revenge.

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Stanley Kubrick’s striking visual interpretation of Anthony Burgess’s famous novel is a masterpiece. Malcolm McDowell delivers a clever, tongue-in-cheek performance as Alex, the leader of a quartet of droogs, a vicious group of young hoodlums who spend their nights stealing cars, fighting rival gangs, breaking into people’s homes, and raping women.

While other directors would simply exploit the violent elements of such a film without subtext, Kubrick maintains Burgess’s dark, satirical social commentary. We watch Alex transform from a free-roaming miscreant into a convict used in a government experiment that attempts to reform criminals through an unorthodox new medical treatment. The catch, of course, is that this therapy may be nothing better than a quick cure-all for a society plagued by rampant crime. A Clockwork Orange works on many levels – visual, social, political, and sexual – and is one of the few films that hold up under repeated viewings. Kubrick not only presents colorfully arresting images, he also stylizes the film by utilizing classical music (and Wendy Carlos’s electronic classical work) to underscore the violent scenes, which even today are disturbing in their display of sheer nihilism. Ironically, many fans of the film have missed that point, sadly being entertained by its brutality rather than being repulsed by it.

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A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.

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Action buffs will have a fine time with the spray of bullets, shattering glass, and pyrotechnic explosions that makes up the bulk of Assault on Precinct 13. This high-concept thriller is mostly a brutal non-stop kill-fest, and is very happy with itself for being so efficient in both categories.

A decrepit police station on its last night before retirement – New Year’s Eve, no less – plays unexpected home to a gang of criminals who become snowbound in the basement lockup. Another mysterious gang of people who stealthily gather in the blizzard outside want one of the particularly nasty criminals (Laurence Fishburne) dead, and they’ll take the rest of the precinct down too, by golly. The odd lot of characters trapped inside include a burned-out sergeant (Ethan Hawke), a sexpot secretary, an even sexier police psychologist, and various other good guys and bad guys who variously go down in blazes of guts, glory, bullets, and fire. Hawke and Fishburne are opposite sides of the coin: the law, and the bathroom scale. Their need to partner in order to survive the guns outside is the movie’s moral conflict, and both actors chew on Precinct 13’s peeling walls and scuffed floors to drive the point home every chance they get in an industrial section of Detroit for the climactic showdown.

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Directed by six-time Academy Award nominee Peter Weir, THE WAY BACK is an epic story of survival, solidarity and indomitable human will. Shot in Bulgaria, Morocco and India, the film stars Jim Sturgess (Across the Universe, The Other Boleyn Girl), Ed Harris (Appaloosa) and Colin Farrell (In Bruges) as prisoners of a Soviet Union labor camp, who, along with four others, flee their Siberian Gulag and begin a treacherous journey across thousands of miles of hostile terrain. Academy Award (R) nominee Saoirse Ronan (Atonement, The Lovely Bones) and Mark Strong (Body of Lies, RocknRolla) co-star.

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Great Unknown Action Movie! Slick, witty, snappy, tight, and intelligent fun! Once in awhile you hadn’t heard of a movie and lo and behold it pleasantly surprises you? This is one of those movies. If you like action, intelligent, and humor in a movie with an unpredictable ending – then you will like this one.

Twenty-something Torontonians and friends Kevin, Sam and Rob play a game they call Foolproof: they plan foolproof heists, but without the intention of actually carrying them out. They try to be as meticulous if not more so than the best high stakes thieves. The fun is in knowing they could do it if they truly wanted. Their collective lives change when someone breaks into Sam’s apartment and steals their latest plan for a jewelry warehouse heist. After the warehouse is hit, the culprit identifies himself to them as Leo ‘The Touch’ Gillette, a known but never convicted high stakes thief who will stop at nothing to get what he wants. He tells them that the break-in at Sam’s apartment was not by accident…

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When the rumored whereabouts of Osama bin Laden are revealed, the CIA readies a team of seasoned U.S. Navy SEALs for the mission of a lifetime. Despite inconclusive evidence that bin Laden is inside the compound, and ignoring the possible ramifications of an unannounced attack on Pakistani soil, the Pentagon orders the attack. The SEAL Team bands together to complete their mission of justice in a riveting final showdown.

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In order to gain influence over their North Carolina district, two CEOs seize an opportunity to oust long-term congressman Cam Brady by putting up a rival candidate. Their man: naive Marty Huggins, director of the local Tourism Center.

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Three amateurs stickup a Mob protected card game, causing the local criminal economy to collapse. Brad Pitt plays the hitman hired to track them down and restore order. Killing Them Softly also features Richard Jenkins , James Gandolfini, Ray Liotta, Scoot McNairy, Ben Mendelsohn, and Vincent Curatola. Max Casella, Trevor Long, Slaine and Sam Shepard also make appearances.

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A road-movie about 7 young women’s artists on tour on a bus, all over Europe this summer, who create on stage a manifesto on feminism, sex, art and education.

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