Married couple Maya and Jamie escape their urban nightmare to the tranquility of rural Ireland only to discover malevolent and murderous goblins lurking in the gnarled, ancient wood at the foot of their new garden.

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Forced to balance their roles as heroes with the strength of their family bond, the Fantastic Four must defend Earth from a ravenous space god called Galactus and his enigmatic herald, the Silver Surfer.

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Struggling to save her farm, a woman enters a winter floral design contest.

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Ana goes home to her peaceful suburban residence, but she is unpleasantly surprised the morning that follows when her husband is brutally attacked by her zombified neighbor. In the chaos of her once picturesque neighborhood, Ana flees and stumbles upon a police officer named Kenneth, along with more survivors who decide that their best chances of survival would be found in the deserted Crossroads Shopping Mall. When supplies begin running low and other trapped survivors need help, the group comes to the realization that they cannot stay put forever at the Shopping Mall, and devise a plan to escape.

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The 2019 SXSW Audience Award-winning feature film debut by Flavio Alves is a story about a young Mexican trans woman and her grandmother who navigate life as undocumented immigrants in New York City.

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A family finally comes to terms with the grief over their son’s suicide 25 years earlier.
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While police officer James Coffee (Ed Helms) enjoys his new relationship with Vanessa Manning (Taraji P. Henson), her beloved 12-year-old son Kareem (Terrence Little Gardenhigh) plots their break-up. Attempting to scare away his mom’s boyfriend for good, Kareem tries to hire criminal fugitives to take him out but accidentally exposes a secret network of criminal activity, making his family its latest target. To protect Vanessa, Kareem teams up with Coffee – the partner he never wanted – for a dangerous chase across Detroit. From director Michael Dowse, COFFEE and KAREEM is an action-comedy about forging unexpected bonds, one four-letter insult at a time. Co-starring Betty Gilpin, RonReaco Lee, Andrew Bachelor and David Alan Grier.

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A family residence is taken over by a blood thirsty pipe monster who awaits those who step inside. Without the ability to leave, the family must do what they can to survive in this blood-ridden home luring in “renters” as bait.

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A vicious Kansas City slaughterhouse owner and his hick family are having a bloody “beef” with the Chicago crime syndicate over profits from their joint illegal operations. Top enforcer Nick Devlin is sent to straighten things out.

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In the 1930s, an elderly Tonto tells a young boy the tale of John Reid, the Lone Ranger. An idealistic lawyer, he rides with his brother and fellow Texas Rangers in pursuit of the notorious Butch Cavendish. Ambushed by the outlaw and left for dead, John Reid is rescued by the renegade Comanche, Tonto, at the insistence of a mysterious white horse and offers to help him to bring Cavendish to justice. Becoming a reluctant masked rider with a seemingly incomprehensible partner, Reid pursues the criminal against all obstacles. However, John and Tonto learn that Cavendish is only part of a far greater injustice and the pair must fight it in an adventure that would make them a legend.

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A new hire joins a small town pizza restaurant just as the business fails and its employees question the “American Dream.”

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Charles is a Salt Lake City civil servant who loves Laura, a lovely housewife with a lovely step-daughter and an A-frame-selling, ex-quarterback husband named Ox. His roommate is “an unemployed jacket salesman,” his mother is a spacey, laxative overdosing, overly eccentric basket-case, his perpetually happy sister finds love in the dorkiest of guys, his step-father has a jones for Turtle Wax and his boss asks him for advice about his Ivy League son’s sexual problems. He listens to Janis Joplin and dreams of getting Laura back once and for all. He does everything in his power to win her back from Ox, and the lengths he goes to provide the structure of the film in this bittersweet romantic comedy…a film that explores what happened to the Woodstock generation when they transcended their idealism. Charles is perhaps the quintessential saint of this ideology.

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