Dr. Adam Anderson (David Lewis), pioneer in the field of nanobiotechnology, has ambitions to use his life’s work to develop a cure for memory based cognitive disorders. Having invented a revolutionary technology that can pinpoint and recreate specific memories, his research is abruptly cut short as government funds are re-distributed in an effort to combat the severe issue of ultra-violence that plagues society. Approached by Dr. Rachel Porter (Emily Holmes) of the Mansingh Research Centre (MRC), Adam is given the opportunity to breath new life into his research, albeit taking it in a different direction entirely, as part of a government sanctioned project. He is offered the chance to test his technology on a human subject as he has so long craved to do so, recreating the memories of a psychopath in an effort to determine patterns and root causes of violent behaviour, with the ultimate goal of discovering a universally applicable treatment. After wrangling with the ulterior political.

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Sayaka Kudo is a gyaru who wears miniskirts and dyes her hair blonde. Although she is a 2nd year senior high school student, she is on par academically with 4th grade elementary school students. She frequently transfers between school because she is unable to make friends, and was once suspended for being caught with cigarettes. To prepare her for her university entrance examination, her mother decides to send her to Seiho Cram School.

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A high school student’s love for a 15-year-old girl is thwarted by parental disapproval, circumstance and accident.

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Georgina throws a sleepover party for her friend Jamie, a moderately successful actress, on the night of Jamie’s fiancée’s bachelor party. Jill, Jamie, Marcy, Rachel, and Georgina have been friends since childhood, and as the evening progresses they talk about a variety of topics: Georgina’s heterosexual fantasies and her uncertainties about Chris, her live-in lover; Jamie’s doubts and insecurities about marriage; and all of their attitudes toward sex and sexual fantasies.

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A sequel that features Riley entering puberty and experiencing brand new, more complex emotions as a result. As Riley tries to adapt to her teenage years, her old emotions try to adapt to the possibility of being replaced.

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Vitalina Varela takes its title from the name of its lead actress, a Cape Verdean woman who, as per usual with Costa’s non-professional actors, plays a fictionalized version of herself. Vitalina first appeared in an episode in the director’s previous film, Horse Money (Wavelengths 2015), wherein she recounted how her husband had left their homeland nearly 25 years ago to work in Lisbon – a separation that became permanent when she finally arrived on the continent, three days after his funeral. In Vitalina Varela, Costa refracts and expands that episode to place us firmly within his heroine’s stoic point of view, capturing her extraordinary strength and resilience as she navigates the scanty physical traces her husband left behind, discovers his secret, illicit life, and encounters the other lives that darken the shadows of the Fontainhas that once was.

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When a childless couple of an ex-con and an ex-cop decide to help themselves to one of another family’s quintuplets, their lives become more complicated than they anticipated.

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Leonardo (EUGENIO DERBEZ), a selfish, spoiled, rich playboy from Mexico’s richest family and “Kate” (ANNA FARIS), a working class single mom of three hired to clean Leonardo’s luxury yacht. After unjustly firing Kate and refusing to pay her, Leonardo falls overboard when partying too hard and wakes up on the Oregon coast with amnesia. Kate shows up at the hospital and, to get payback, convinces Leonardo he is her husband and puts him to work – for the first time in his life. At first miserable and inept, Leonardo slowly settles in. Eventually he earns the respect of his new “family” and co-workers. But, with Leonardo’s billionaire family hot on their trail and the possibility of his memory returning at any moment, will their new family last or will Leonardo finally put the clues together and leave them for good?

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A Brooklyn couple has always known that their four-year-old son is more interested in fairy tale princesses than toy cars. But when his preschool director points out that his gender-nonconforming play may be more than a phase, the couple is forced to rethink their roles as parents and spouses.

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With the world’s end imminent, a dying mother sends her young son on a journey to the place which grants wishes. The film’s inspired by the works of 13th century Sufi mystic and poet, Rumi.

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A group of environmentalists arrives at a faraway tropical delta where toxic waste is being dumped. However the water also hides a giant crocodile. The corrupt local officials don’t help much either.

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The first story; involves a woman forced into prostitution. The second: a woman is turned on by unattractive men who has threesomes with dwarfs. Her admirer disfigures himself so she will like him. The third: a sadistic and powerful man who has bulls with flaming horns charge into a courtyard of women wearing red who are forced to strip to avoid being gored.

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