Sensational! Surprisingly fabulous! If you’re in the mood for a sentimental feel-good movie with affection for its music and characters, The Sapphires offers solid entertainment. It is exhilarating: making me cry, laugh and want to dance. The Sapphires is a timely dose of optimism that will make you fall in love with soul music all over again.

Inspired by a true story, THE SAPPHIRES follows four vivacious, young and talented Australian Aboriginal girls from a remote mission as they learn about love, friendship and war when their all girl group The Sapphires entertains the U.S. troops in Vietnam in 1968. Cynthia (Tapsell), Gail (Mailman), Julie (Mauboy) and Kay (Sebbens) are discovered by Dave (O’Dowd), a good-humored talent scout with a kind heart, very little rhythm but a great knowledge of soul music. As their manager, Dave books the sisters their first true gig giving them their first taste of stardom, and travels them to Vietnam to sing for the American troops.

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When twin brothers Bill and Hal find their father’s old monkey toy in the attic, a series of gruesome deaths start. The siblings decide to throw the toy away and move on with their lives, growing apart over the years.

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Keeping at bay his inner demons by devoting himself to art, metal drummer, Ruben, has been living for the moment for the past four years. Then, while on tour with his lead-singer/girlfriend, Lou, Ruben realises that his hearing is rapidly deteriorating. As this sudden hearing loss turns his world upside down, and numbing fear paired with angry denial take over, Ruben reluctantly accepts to join a small deaf community overseen by Joe, a compassionate Vietnam War veteran. Now, Ruben needs to find some solid ground, understand that being deaf is not a handicap and that deafness isn’t something to fix. But, is Ruben willing to accept his new life and learn how to be deaf?

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Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle’s story to the screen.

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A triple bill of the films that made Mel Gibson famous. ‘Mad Max’ follows the revenge spree of a former cop in the post-apocalyptic future after his wife and child are murdered by a gang of vicious motorbike thugs. The sequel, ‘Mad Max 2’, aka ‘The Road Warrior’, features loner Max helping a small oil-producing community defend itself against a band of crazed thugs. Finally, in the bigger budget ‘Mad Max – Beyond Thunderdome’, Max comes up against a barbaric society led by a warrior queen (Tina Turner).

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This true story follows FBI agent Joe Pistone as he infiltrates the mafia of New York. Befriending Lefty Ruggiero, Pistone (under the name Donnie Brasco) is able to embed himself in a mafia faction led by Sonny Black. Ruggiero and Pistone become tight as the group goes about collecting money for ‘the bosses’. Eventually, the group become big-time when Black himself becomes a boss; all the while, Pistone collects evidence. However, the trials and tribulations of the undercover work become more than Pistone can bear. His marriage falls apart, and to top it off, the mafia suspect a mole in the organization. The real dilemma is afforded to Pistone, who knows if he walks away from the mafia, Ruggiero will be the one punished.

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Dante, Elias, and Jay and Silent Bob are enlisted by Randal after a heart attack to make a movie about the convenience store that started it all.

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A fashion model moves into a house inhabited (on the top floor) by a blind priest. She begins having strange physical problems, has trouble sleeping at night, and has some nasty flashbacks of her attempted suicide. She complains to the real estate agent of the noise caused by her strange neighbors, but finds out that the house is only occupied by the priest and herself, and ultimately discovers that she has been put in the house for a reason.

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A teenage girl finds that she has the ability to leap through time. With her newfound power, she tries to use it to her advantage, but soon finds that tampering with time can lead to some rather discomforting results.

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In 1934 Paris, trained coloratura soprano Victoria Grant, a native Brit, can’t get a job as a singer and is having trouble making ends meet. She doesn’t even have enough money for the basics of food and shelter. Gay cabaret singer Carole ‘Toddy’ Todd may befall the same fate as Victoria as he was just fired from his singing gig at a second-rate club named Chez Lui. To solve both their problems, Toddy comes up with what he considers an inspired idea: with Toddy as her manager, Victoria, pretending to be a man, get a job singing as a female impersonator. If they pull this scheme off, Toddy vows Victoria, as her male alter ego, will be the toast of Paris and as such be extremely wealthy. That alter ego they decide is Polish Count Victor Grazinski, Toddy’s ex-lover who was disowned by his family when they found out he was gay. The Count auditions for the city’s leading agent, Andre Cassell, who, impressed, gets him a gig performing in the city’s best nightclub.

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vigilante known as the Punisher, goes after a whole mob family and gets everyone except enforcer Billy Russoti. He tracks Russoti down and chases him into a vat that is used for crushing bottles. Frank turns on the crusher hoping it would take care of him but it doesn’t. He survives but sustains very severe injuries that even with plastic surgery his face looks like a jigsaw puzzle. So he decides to adopt the name Jigsaw. Frank who killed one of Russoti’s people who unknown to him is an undercover Fed, decides to pack it in.

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Widowed when his FBI agent wife is killed in an operation against suspected terrorists, a college professor becomes increasingly obsessed with the culture and sub-society of these dangerous groups. The arrival of new neighbors, gives him new spirit, as they are gregarious and friendly, with a ten-year-old boy that his son can be friends with. He is even beginning to see another woman. However, he begins to suspect something is odd about the neighbors, something about the way they don’t want him to see certain parts of the house, or a set of blueprints they have there. Are his neighbors terrorists… or is the stress of losing his wife merely driving him past the point of paranoia?

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