
It can be brutal enough just growing up a girl. Then add poverty, addiction, and God to the mix. Armed with a gun and a prayer, Emma and her cat bravely go where too many girls have gone before. It’s a war, and we gotta win it.

It can be brutal enough just growing up a girl. Then add poverty, addiction, and God to the mix. Armed with a gun and a prayer, Emma and her cat bravely go where too many girls have gone before. It’s a war, and we gotta win it.

Based on the book “Hot Toddy” by Andy Edmunds, this made-for-TV movie revolves around the mysterious death of 1930s movie star Thelma Todd (Loni Anderson).

Robert the Bruce is a hard-hitting historical epic covering the turbulent time after William Wallace’s victories depicted in Braveheart. Scotland 1306, Robert the Bruce crowns himself King and takes the ambition of Scotland’s freedom as his own. But he cannot overcome England’s power: defeated again and again, his army is scattered and Scotland’s nobility abandons him. Hunted, with a price on his head, he finds himself alone and wounded. The cause of freedom seems lost once more. Hidden secretly in a secluded croft of a clan pledged to England, and close to death Robert is nursed back to life by a young widow and her orphaned children. His determination to do what is right, regardless of the cost, reinvigorates his passion to rise again. But it’s not revenge he desires. It’s freedom.

In “Prince Harming”, Victoria, a strong woman in her mid-forties, falls in love with a man who turns out to be a sociopath. If it can happen to Victoria, it can happen to anyone. Victoria, an immigrant from Liechtenstein, meets her “Prince Charming”, the Olympic star Max Bauer, whom she fancied as a teenager. After a number of embarrassing attempts to revive his career in Europe, Max Bauer tries to find fortune in “the land of endless opportunities”. He flees to New York – directly into Victoria’s arms and tiny apartment. It’s love at first sight for both- or so it seems. As he gradually reveals his abusive side, the drama of their “asymmetrical relationship” develops, as the former world star uses his fading glory to first dazzle, then exploit and abuse her in every which way. She unsuspectingly holds on to the relationship, only to find herself in mortal danger.

Shocking new evidence of highly advanced civilizations mounts as previously unexplored regions of the earth reveal mind boggling artifacts that defy all convention and utterly mystify today’s academic and scientific factions. It’s…

A worried father (Tony Denham, The Football Factory) goes to the isolated forest of Greenwood in hope of finding his son Pat Cullen (Mark Hutchinson, The Pigman Murders) who has been missing for over two years and as he makes his way towards the last destination he was seen, he notices further proof that he is still alive. With dark twists and turns that await him he meets Jason McNamara (Michael Corcoran) and his mates who are there for a fun weekend which is short lived as they now must all battle for their lives as the stories around Greenwood are true….and those stories mean that you must run to survive.

Asher (Ron Perlman) is a contract killer who’s spent the better part of his life ending other lives, taking orders from Avi (Richard Dreyfuss). He lives a lonely existence, making friends out of fine wine and good food, resenting his apprentice, Uzi (Peter Facinelli), who’s taking jobs from him due to youth. When Avi hands Asher three contracts for a revenge scheme, the hitman takes the job, only to lose consciousness due to health issues, making accidental contact with Sophie (Famke Janssen), a ballet teacher distraught over mother Dora (Jacqueline Bisset), who’s losing her battle with dementia. Asher and Sophie make a connection, embarking on a tentative courtship where the murderer can’t share anything about his life. As the pair work out their flirtations, Asher is forced to pair with Uzi on a group hit, and when that goes bad for a moment, the veteran soon becomes marked for death, threatening all the good that’s come into his world.

Pacific Ocean, night, hundreds of miles from anywhere, an expedition helmed by an all-female crew to hunt down illegal fishing operations goes horribly wrong as the crew become trapped and ultimately pursued by the stranger they’ve rescued from the wreckage of a ship. In these waters, no good deed goes unpunished.

CANARIES pits a group of friends at a New Year’s Eve bash in the Valleys, hosted by Steve Denis, London’s 53rd-most-listened-to DJ, a returning local boy made good against an invasion task force of creepy time travelling aliens. In this darkly funny Welsh based Sci-fi horror comedy, the new year’s resolution on everyone’s lips is to stay alive.

Dr. Constance Petersen (Ingrid Bergman) is a psychiatrist at Green Manors mental asylum. The head of Green Manors has just been replaced, with his replacement being the renowned Dr. Anthony Edwardes (Gregory Peck). Romance blossoms between Dr. Petersen and Dr. Edwards but Dr. Edwards starts to show odd aversions and personality traits. It is discovered that he is an impostor, and amnesiac, and may have killed the real Dr. Edwardes. Dr. Petersen is determined to discover the truth through unlocking the secrets held in the impostor’s mind, a process which potentially puts her and others’ lives at risk.