While there has been rapid growth in the creation and use of 3D data over the last decade, the ongoing development and evolving usage of these data have left many unresolved questions about their stability, durability, and long-term accessibility.

3D Data Creation to Curation: Community Standards for 3D Data Preservation collects the efforts of the Community Standards for 3D Data Preservation (CS3DP) initiative—a large practicing community of librarians, researchers, engineers, and designers—to move toward establishment of shared guidelines, practices, and standards. Using a collaborative approach for standards development that promotes individual investment and broad adoption, this group has produced a work that captures the shared preservation needs of the whole community.

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Follows a little toy clown, thrown away with a load of old discarded toys, as he goes on a journey to find a new loving home for himself and his friends.

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Exploring
the use of digital methods in heritage studies and archaeological research

The two volumes of
Digital Heritage and Archaeology in
Practice bring together archaeologists and heritage professionals from
private, public, and academic sectors to discuss practical applications of
digital and computational approaches to the field. Contributors thoughtfully
explore the diverse and exciting ways in which digital methods are being
deployed in archaeological interpretation and analysis, museum collections and
archives, and community engagement, as well as the unique challenges that these
approaches bring.

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Six essays by artificial intelligence pioneer Marvin Minsky on how education can foster inventiveness, paired with commentary by Minsky’s former colleagues and students.

Marvin Minsky was a pioneering researcher in artificial intelligence whose work led to both theoretical and practical advances. His work was motivated not only by technological advancement but also by the desire to understand the workings of our own minds. Minsky’s insights about the mind provide fresh perspectives on education and how children learn. This book collects for the first time six essays by Minsky on children, learning, and the potential of computers in school to enrich children’s development.

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Focusing on songs by the troubadours and trouvères from the twelfth to the fourteenth centuries, Medieval Song from Aristotle to Opera contends that song is not best analyzed as “words plus music” but rather as a distinctive way of sounding words . Rather than situating them in their immediate period, Sarah Kay fruitfully listens for and traces crosscurrents between medieval French and Occitan songs and both earlier poetry and much later opera. Reflecting on a song’s songlike quality—as, for example, the sound of light in the dawn sky, as breathed by beasts, as sirenlike in its perils—Kay reimagines the diversity of songs from this period, which include inset lyrics in medieval French narratives and the works of Guillaume de Machaut, as works that are as much desired and imagined as they are actually sung and heard.
Kay understands song in terms of breath, the constellations, the animal soul, and life itself. Her method also draws inspiration from opera, especially those that inventively recreate medieval song, arguing for a perspective on the manuscripts that transmit medieval song as instances of multimedia, quasi-operatic performances.

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It is a sign of the accepted evidentiary status of photographs that historians regularly append them to their accounts, Amos Morris-Reich observes. Very often, however, these photographs are treated as mere illustrations, simple documentations of the events that transpired. Scholars of photography, on the other hand, tend to prioritize the photographs themselves, relegating the historical contexts to the background. For Morris-Reich, however, photography exists within reality; it partakes in and is very much a component of the history it records. Morris-Reich examines how photography affects categories of history and experience, how it is influenced by them, and the ways in which our understanding of the relationship between history and photography can be theorized and reoriented.

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Police Chief Sanders (Jon Hamm) investigates the bizarre murders of two women with the same name and unravels a web of small-town lies. He meets and quickly falls for Rita (Tina Fey), a nosy neighbor who is eager to help solve the mystery.

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When Sebastian tells his old-school Italian immigrant father Salvo that he is going to propose to his all-American girlfriend, Salvo insists on crashing a weekend with her tony parents.

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