St Peter’s Basilica in Rome is arguably the most important church in Western Christendom, and is among the most significant buildings anywhere in the world. However, the church that is visible today is a youthful upstart, only four hundred years old compared to the twelve-hundred-year-old church whose site it occupies. A very small proportion of the original is now extant, entirely covered over by the new basilica, but enough survives to make reconstruction of the first St Peter’s possible and much new evidence has been uncovered in the past thirty years. This is the first full study of the older church, from its late antique construction to Renaissance destruction, in its historical context. An international team of historians, art historians, archaeologists and liturgists explores aspects of the basilica’s history, from its physical fabric to the activities that took place within its walls and its relationship with the city of Rome.

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This book reflects the wide range of current scholarship on Roman law. The essays, newly-commissioned for this volume, cover the sources of evidence for classical Roman law; the elements of private law, as well as criminal and public law; and the second life of Roman law in Byzantium, in civil and canon law, and in political discourse from AD 1100 to the present. Roman law nowadays is studied in many different ways, which is reflected in the diversity of approaches in the essays. Some focus on how the law evolved in ancient Rome, others on its place in the daily life of the Roman citizen, still others on how Roman legal concepts and doctrines have been deployed through the ages. All of them are responses to one and the same thing: the sheer intellectual vitality of Roman law, which has secured its place as a central element in the intellectual tradition and history of the West.

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This book argues that touch and movement played a significant role, long overlooked, in generating perceptions of ancient material culture in the late 18th century. At this time the reception of classical antiquity had been transformed. Interactions with material culture – ruins, sculpture, and artefacts – formed the core of this transformation. Some such interactions were proto-archaeological, such as the Dilettanti expeditions to Athens and Asa Minor; others were touristic, seen in the guidebooks consulted by travellers to Rome and the diaries they composed; and others creative, resulting in novels, poetry, and dance performances. Some involved the reproduction of experience in a gallery or museum setting. What all encounters with ancient material culture had in common, however, is their haptic sensory basis.

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Modern Permanent Magnets provides an update on the status and recent technical developments that have occurred in the various families of permanent magnets produced today. The book gives an overview of the key advances of permanent magnet materials that have occurred in the last twenty years. Sections cover the history of permanent magnets, their fundamental properties, an overview of the important families of permanent magnets, coatings used to protect permanent magnets and the various tests used to confirm specifications are discussed. Finally, the major applications for each family of permanent magnets and the size of the market is provided.

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Follows a South London family and how one red dress is the center of their lives.

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Thor is imprisoned on the other side of the universe and finds himself in a race against time to get back to Asgard to stop Ragnarok, the destruction of his homeworld and the end of Asgardian civilization, at the hands of an all-powerful new threat, the ruthless Hela.

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The first comprehensive treatment in English of the rich and varied afterlife of classical drama across Latin America, this volume explores the myriad ways in which ancient Greek and Roman texts have been adapted, invoked and re-worked in notable modern theatrical works across North and South America and the Caribbean, while also paying particular attention to the national and local context of each play.

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The book explores the extent to which aspects of Julius Caesar’s self-representation in his commentaries, constituent themes and characterization have been appropriated or contested across the English dramatic canon from the late 1500s until the end of the 19th century.

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Ancient Greek Myth in World Fiction since 1989 explores the diverse ways that contemporary world fiction has engaged with ancient Greek myth. Whether as a framing device, or a filter, or via resonances and parallels, Greek myth has proven fruitful for many writers of fiction since the end of the Cold War. This volume examines the varied ways that writers from around the world have turned to classical antiquity to articulate their own contemporary concerns.

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To what extent did mythological figures such as Circe and Medea influence the representation of the powerful ‘oriental’ enchantress in modern Western art? What role did the ancient gods and heroes play in the construction of the imaginary worlds of the modern fantasy genre? What is the role of undead creatures like zombies and vampires in mythological films?

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Tracklist on next page

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Follow the joint operations of a police force and a fire department, who together will tell a thrilling story. Fierce detective Jin Ho Gae is all about catching low lives. He solves cases with his excellent ability to grasp crime scenes, read a criminal’s mind, and have a strong will to win. While the fearless firefighter Bong Do Jin, who seems cold on the outside, is friendly to those around him and takes good care of victims. He rushes to fire sites without a moment of hesitation. Song Seol, an empathetic paramedic who heals broken hearts while treating wounds is joining the duo.

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