Fifteen hundred years after the war of gods, the heaven declined. Yang Jian, the God of Erlang, made a living by working as a catcher. One day, Yang Jian was ordered to hunt down a young man, his own nephew.
Apr
23
Apr
23
A group of college friends receive the surprise of their lives when they discover there is an actual killer on the scene of a local haunted trail.
Apr
23
Annabel and Lucas are faced with the challenge of raising his young nieces that were left alone in the forest for 5 years…. but how alone were they?
Apr
23
Tired of being bullied, Cassandra Evans prays that her nemesis, Katie Sharp, the queen bee of social media, would know what it’s like to walk a day in her shoes. Her prayer is answered in an unexpected way when they get “Switched.”
High-achieving high-school senior Dani Barnes dreams of getting into UC Davis, the world’s top veterinary school. Then a glamorous new friend draws her into a Southern California scene that threatens everything she’s worked for.
Apr
23
Harry Angel has a new case, to find a man called Johnny Favourite. Except things aren’t quite that simple, and Johnny doesn’t want to be found. Let’s just say that, amongst the period detail and beautiful scenery, it all gets really, really nasty.
RFDS is an upcoming Australian drama television series which will centre around the lives of workers for the Royal Flying Doctors Services.
Apr
23
THE STAND-IN is the story of a disaffected comedy actress and her ambitious stand-in trading places.
Apr
23
Believing their deceased son isn’t at peace, Molly and Tom ask a medium to make contact. But after they invite a vengeful demon to cross over, the couple must enlist the help of a disgraced priest to attempt a dangerous exorcism.
Apr
23
Python is very easy to read since the code looks a great deal like normal English, yet don’t allow this simpleness deceive you: it is just one of one of the most powerful as well as flexible programs languages around! As a matter of fact, it powers most of your preferred websites and services, consisting of Instagram, Spotify, and also Google!
This book examines the changing influences of diversity in American higher education. The volume offers evidence and recommendations to positively shape inclusive learning and engagement of students, faculty, staff and community across the complex terrains of urban, suburban, and rural organizations within higher education today. Chapters highlight critical collaborations across student affairs and academic affairs, and delve into milestones addressing access, retention, engagement, and thriving within distinctive institutional types (e.g., research, liberal arts, community colleges, Minority Serving Institutions). Authors also explore the nuanced changes occurring against the contemporary backdrop of COVID-19 experiences – including the rise of anti-Asian racism, the salience of implicit biases, and the disparate access to and impacts of health services. Essential chapters refocus our consideration about the trajectories of historically underrepresented groups and their peers (including, African Americans, Hispanic/Latino, Indigenous people, individuals with disabilities and those identifying as LGBTQ+, undocumented students, and women) in American higher education.
Jez Butterworth is undoubtedly one of the most popular and commercially successful playwrights to have emerged in Britain in the early twenty-first century. This book, only the second so far to have been written on him, argues that the power of his most acclaimed work comes from a reinvigoration of traditional forms of tragedy expressed in a theatricalized working-class language. Butterworth’s most developed tragedies invoke myth and legend as a figurative resistance to the flat and crushing instrumentalism of contemporary British political and economic culture. In doing so they summon older, resonant narratives which are both popular and high-cultural in order to address present cultural crises in a language and in a form which possess wide appeal. Tracing the development of Butterworth’s work chronologically from
