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A woman, once featured as Mother of the Year, is obsessed with owning a new-build house which she imagines will be a cure-all for her dysfunctional family of redneck husband and simple, epileptic daughter. When a doctor and his pregnant wife purchase the property, she employs increasingly dangerous ploys to terrorise the couple into moving out.

Set at Club Eden, the fictional home to the hottest and most sensual male exotic dancers in the country, the series centers around the life of Marilyn ‘Madam’ DeVille, a fierce businesswoman at the top of her game in the nightclub industry, surrounded by a band of trusted employees who do their best to ensure her continued success. But Madam, a self-proclaimed boss, soon discovers that more money and more power means more problems. Will Madam retain reign as she navigates this dangerous and sexy society? Will the sensuous world of exotic dancing cost Madam her queendom and potentially her life?

In a methodical scheme for gentrification in Bed-Stuy, Brooklyn, money, drugs and violence manipulate the lives of three warring families, forcing them to address their ills or face destruction.

When is too much enough and not enough moreish is the question one takes away from Sebastian Junger’s sequel to his award winning and epoch busting 2010 documentary Restrepo, which he co-directed with recently deceased photographer Tim Hetherington. Battle Company: Korengal (2014) again focuses with a piercing gaze on Battle Company, 173rd Airborne Brigade that were the focus of the previous film. As in the first film, Restrepo refers to the outpost in the Korengal Valley looked upon as the most dangerous posting in Afghanistan, where the soldiers live and fight in spartan conditions with no electricity, running water or internet for up to six months at a time.