Artillery drives the dialogue of contemporary art – delivering active dialogue and hard-hitting commentary surrounding contemporary art and culture in Los Angeles and beyond. Published 6 times per year, every issue contains critical essays, humor, and opinionated reviews (positive and negative takes) on important exhibitions written by award winning critics, curators and historians.
Architectural Record is your in-depth guide to contemporary architectural design, practice and technology. Each issue offers detailed perspectives of the most interesting projects from around the world. In addition, comprehensive coverage of noteworthy new products and technology will keep you both informed and inspired.
Architectural Digest is the world’s foremost design authority, showcasing the work of top architects and interior decorators. It continues to set new benchmarks for how to live well-what to buy, what to see and do, where to travel, and who to watch on the fast-paced, multifaceted global design scene.
3D: Dyscalculia, Dysgraphia, and Dyspraxia – aims to help those children who continue to remain misunderstood. 3D aims to help people know they are not alone with what makes them different. 3D can be used in schools, to help improve understanding and celebrate differences.
In a murder trial, the defendant says he suffered temporary insanity after the victim raped his wife. What is the truth, and will he win his case?
Secret Service agent ETHAN BURKE (Academy Award nominee Matt Dillon, “Crash,” “City of Ghosts”) arrives in the bucolic town of Wayward Pines, ID, on a mission to find two Missing federal agents. But instead of answers, Ethan’s investigation only turns up more questions. Each step closer to the truth takes Ethan further from the life he knew, from the husband and father he was, until he must face the terrifying reality that he may never get out of Wayward Pines alive.
After finding themselves ensnared in a death trap, an unconventional team of antiheroes must go on a dangerous mission that will force them to confront the darkest corners of their pasts.
