
Sam Wilson, the new Captain America, finds himself in the middle of an international incident and must discover the motive behind a nefarious global plan.

Sam Wilson, the new Captain America, finds himself in the middle of an international incident and must discover the motive behind a nefarious global plan.

SAS: Rogue Heroes charts the creation of the famed Special Forces unit. Based on the book by Ben Macintyre.

The Way Home follows the lives of three generations of women within the Landry family that spans the years through a time travel twist.

Disease control discover that food at a local meat processing plant has been contaminated by a rare parasite. Trainee tactical police are sent in to evacuate the workers with a civilian camera crew to film the operation. All is not what it appears, for what they discover could have disastrous repercussions on a world wide scale. Based on actual footage from Military and Police operations that took place last October.
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A Scottish missionary arrives to live among African tribes who practice twins infanticide and human sacrifice. She crusades to stop these practices and preach the Christian gospel. It’s a daunting mission that will not be easy.

As winter approaches, an exclusive Golf Club hires a Multinational biotech whose “revolutionary” fertilizer melts the snow and genetically modifies the grass so its affluent members can play golf all year round. The result is the contamination of the water which ultimately transforms most of the residents into Zombies. One of the few survivors, teenage boy André, watches as the infection rapidly spreads, leaving him alone with his baby sister Annie. Along with Dan, the community security guard and self-proclaimed survivalist, they embark on an adventure that takes them to the source of the contamination. In a race against the clock, they band together to find the cure before everyone they love turns into grass.

Playing a perhaps semi-fictionalized version of herself, director Gillian Horvat resolutely navigates an inspiring series of comical obstacles, skeptical intimates, and biased industry gatekeepers to get her first feature film off the ground. From a subjectively innocent initial concept that sings to fans of the ‘My Favorite Murder’ podcast-Gillian deftly executes the first in a series of impeccable transgressions with an unyielding allegiance to the Muse that resides within the heart of an unforgivable madness…a quality revered in cinema’s greatest auteurs. Co-opting the rules of a historically exclusive game, I BLAME SOCIETY is both an amusing and alternately disturbing meta-narrative exploring the dark side of artistic vision-articulating the oft-celebrated egregious qualities deemed to be intrinsic to cinematic brilliance.