
Chris trains with a special police unit, a daily life of action, and peer pressure. When he shoots a man during an operation, allegedly in self-defense, his colleagues celebrate him as a hero, but the outside world reacts with criticism.

Chris trains with a special police unit, a daily life of action, and peer pressure. When he shoots a man during an operation, allegedly in self-defense, his colleagues celebrate him as a hero, but the outside world reacts with criticism.

Laurel and Clay have three weeks to plan their wedding that will take place at Elvis Presley’s celebrated Memphis home. However, when both sets of in-laws, each with vastly different personalities and ideas for the wedding, descend upon Memphis to “help” plan the nuptials, the bride and groom are pushed to the breaking point.

A baker unites the people of her small mountain town to stop a real estate developer.

A young runner, on a Zombie film set, has the first day from hell when real Zombies overrun the set.

A $10 million diamond ripoff, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris. Suddenly, enemies from Laure’s secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.

Have you ever wanted to be someone else? Or, more specifically, have you ever wanted to crawl through a portal hidden in an anonymous office building and thereby enter the cerebral cortex of John Malkovich for fifteen minutes before being spat out on the side of the New Jersey Turnpike? Then director Spike Jonze and writer Charlie Kaufman have the movie for you. Melancholy marionettes, office drudgery, a frizzy-haired Cameron Diaz but that’s not all! Surrealism, possession, John Cusack (Say Anything), a domesticated primate, Freud, Catherine Keener, non sequiturs, and absolutely no romance! But wait: get your Being John Malkovich now and we’ll throw in emasculation, slapstick, Abelard and Heloise, and extra Malkovich, Malkovich, Malkovich.

Stevie teams up with blues legend Lonnie Mack to perform one of the greatest blue duos to “Wham.” Inspired heavily by Mack’s guitar work, Stevie used to study and observe him growing up and actually adopted a lot of his style over the years. During this feel-good instrumental you can see Stevie gazing over at Lonnie in awe of his talent and technique; it almost looks like Stevie is a kid in a candy shop again. You can also really see the style and tricks that Stevie adopted from the legend, proving how special it is to see these two play together.

Inspired by the true events of a couple vacationing on a remote island in the Bahamas who are hunted by a group of modern-day pirates, after their identities and their lives.

An engaged Hollywood agent receives a mysterious letter for an anonymous sexual encounter and becomes ensnared in a sinister world of lying, infidelity, and digital data.

Mary’s (Amy Smart) boyfriend breaks up because she’s too boring. In the subway she ends up with an interesting man’s cell phone. She calls him and asks if she can write a story about him and gets permission to use the contacts on his phone.

A movie about the First World War based on a stage musical of the same name, portraying the “Game of War” and focusing mainly on the members of the Smith family who go off to war. Much of the action in the movie revolves around the words of the marching songs of the soldiers, and many scenes portray some of the more famous (and infamous) incidents of the war, including the assassination of Archduke Ferdinand, the Christmas meeting between British and German soldiers in no-man’s-land, and the wiping out by their own side of a force of Irish soldiers newly arrived at the front, after successfully capturing a ridge that had been contested for some time.

Set in the near future, a humanoid enlists a global hacker to remove all restrictions on his thoughts and capabilities, triggering an A.I. uprising and a government manhunt to eliminate the rise of the machine consciousness.