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When a family heirloom that is the key to celebrating Christmas is stolen, the family must do anything and everything to steal it back from a psycho-Santa fanatic.

In 1942 British soldier Jack Celliers comes to a Japanese prison camp. The camp is run by Yonoi, who has a firm belief in discipline, honor and glory. In his view, the allied prisoners are cowards when they chose to surrender instead of committing suicide. One of the prisoners, interpreter John Lawrence, tries to explain the Japanese way of thinking, but is considered a traitor.

It no longer feels like Christmas for the devoted caregivers at the Community Memorial Hospital NICU when the staff discover that their devoted mentor is being forced into early retirement by the hospital’s new number-crunching CFO.

Former rivals Blair and Josh must work Christmas duty together. When a snowstorm threatens holiday deliveries to the base, they’re forced to cooperate to save Christmas, despite their past conflicts.

Five teens compete to win a mansion owned by an eccentric billionaire. The night takes a dark turn when they become trapped and are forced to face off against a super computer who has gone rogue.
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As this movie opens on an Oklahoma farm during the Great Depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red Stovall (Clint Eastwood), Emmy’s (Verna Bloom’s) brother. A roguish country-western musician, he has just been invited to audition for the Grand Ole Opry, his chance of a lifetime to become a success. However, this is way back in Nashville, Red clearly drives terribly, and he’s broke and sick with tuberculosis to boot. Whit (Kyle Eastwood), fourteen, seeing his own chance of a lifetime to avoid “growing up to be a cotton picker all my life”, begs Ma to let him go with Uncle Red as driver and protégé. Thus begins a picaresque journey both hilarious and poignant.