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Titanic is a four-part television costume drama created by producer Nigel Stafford-Clark and written by Julian Fellowes to mark the one hundredth anniversary of the world’s most famous maritime disaster in April 1912. It sets out to paint a portrait of a whole society, telling the stories of a wide range of characters, both real and imagined, from every social level. Their narratives are developed and gradually interwoven over the first three episodes, each of which ends in a cliff-hanger as the ship begins to founder. The fourth and final episode will draw all of the different stories together and reveal to the audience who survives.

Two police officers investigate a domestic dispute and there is an accidental shooting. Not wanting to be crucified by the public, the officers attempt to cover it up – only to uncover that the cameras aren’t the only things watching them.

Young Elizabeth, daughter of shamed Anne Boleyn, is cast aside from Henry VIII and his court. She must stumble through life, publicly shamed, without friends or childhood companions. At some point, Elizabeth must choose – shy away or embrace her potential?

A Beagle must use his newly-bestowed superpowers to defend Capitol City from mad scientist Simon Barsinister.

A grieving woman finds a second chance at love with a charming stranger, only to realize she hasn’t been rescued, she’s been targeted. We’ve all heard that “love comes when you least expect it.” For her its when she’s vulnerable.

After a crushing betrayal, Sarah spirals into madness-and her fragile grip shatters completely when a shadow returns from her past.