
A filmmaker documents her boyfriend’s violent parasomnia during their holiday at a remote cabin in the woods, and as his sleepwalking gets worse, she believes the cause might be something far more sinister.

A filmmaker documents her boyfriend’s violent parasomnia during their holiday at a remote cabin in the woods, and as his sleepwalking gets worse, she believes the cause might be something far more sinister.

In the midst of her whole life falling apart, Kennedy attempts to somehow reconnect with her dead father, searching for permission to live her own life within a wild pool-hopping escape through the elaborate estates of her college town.

Follows Stitch Head, a small creature awoken by a Mad Professor in a castle to protect the professor’s other creations from the townspeople of Grubbers Nubbin.

Looking for a fresh angle on her new book on relationships, Merry heads to snow covered Vermont. She finds a new perspective and Christmas cheer with charismatic aid worker Chris.

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim. These are not just your garden-variety guitar gods: Jimmy Page, in his mid-’60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century. And 34-year-old Jack White was described by one music publication as “the most significant rock ‘n’ roll figure of the past ten years.” Guggenheim, who followed the three around for the better part of a year, takes us into their individual lives, past and present. There are shots of Page as a young London session musician, with the Yardbirds and Zeppelin, at Headley Grange (the estate where much of the fourth Zep album was made), and at home with his record collection. The Edge takes us to the Dublin classroom where U2 first rehearsed, as well as to the practice room he uses now; and White, whose insistence on authenticity is admirable but perhaps a tad self-conscious, constructs a “guitar” from a plank of wood, a piece of wire, and a Coke bottle. The three also converge on a Hollywood sound stage, where they chat and a do a little jamming on Zep’s “In My Time of Dying” (with all three playing slide guitar) and the Band’s “The Weight.”

With her life crashing down around her, Linda attempts to navigate her child’s mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.

A southern revenge thriller of star-crossed lovers set against the backdrop of the Ozark Mountains, Violent Ends chronicles the life of Lucas Frost, an honest man brought up in a crime family whose only legacy is violence.

The story of how reggae icon Bob Marley overcame adversity, and the journey behind his revolutionary music.

A romance between an MI6 code genius and an ordinary man promises happiness, but tragedy strikes.

A mysterious modern-day Robin Hood gives the victims of a bank robbery a million dollar opportunity.

BIG EARL, the owner of a Christmas tree lot in Compton, and a man with a big heart and a big vision, demands success from everyone around him. All kinds of trouble erupts the week before Christmas when his son, DERRICK, part-time music producer and part-time Christmas tree lot employee, crosses the line to prove to Big Earl that he is a success. The colorful characters that populate the tree lot cause additional complications for Derrick as he tries to solve his problems secretly. Things spiral out of Derrick’s control, jeopardizing the survival of the lot, and more importantly, his relationship with his father. What Derrick needs is a miracle; a Christmas miracle in Compton…