Directed by Alison Ellwood, this intimate, meticulously crafted patchwork of rare archival material, concert footage and never-before-seen home movies explores the evolution and enduring popularity of The Eagles from their creation to break-up to reunion.
On a journey that spans the formative years of their lives, two sisters navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, New Mexico.
After Wild Bill is killed in a poker game, Calamity Jane must break out of prison and seek revenge. Her quest is hindered by Deadwood’s Sheriff Mason, who is out to detain and arrest her.
Following 1939’s “The Phantom Stage”, the last of 12 series westerns made at Universal by Trem Carr and Paul Malvern starring Bob Baker, Universal kicked off a new series of six starring their new series-sign Johnny Mack Brown (who had already starred in three Universal serials with one more to go.) Baker was now odd-man-out at the studio as his contract had been with Trem Carr, and Carr and associate Malvern had moved over to Monogram to begin a series of four “Tailspin Tommy” features. Universal, usually late to the party anyway, added Baker and comedian Fuzzy Knight to the first-six Brown films to form a trio angle along the lines of Republic’s highly successful “Three Mesquiteers” series, but there were no continuing roles in these films—they even killed Baker off in the 2nd film—and Baker’s 2nd-lead soon went to 3rd-lead (behind Knight) and then to “gone” after the sixth film. When Bob Baker was next seen in a film at Universal, it was as the uncredited bus driver in Abbott
Friendship shared between Karin, a strong-minded girl sent to live with her monk granddad in the Japanese countryside, and Anzu, the even-more unpredictable phantom feline who acts as her guardian.
Set in the early Edo Period, a time when Japan was transitioning towards peace, and warfare was fading into history, an aging Musashi embarks on a covert mission. Armed with the mythical “Oni Gauntlet,” Musashi embarks on an epic journey to vanquish the lurking demons.
Inspired by acclaimed Colombian author Mario Mendoza’s literary universe, comes this edge-of-your-seat suspense thriller. In a near future plagued by water shortages, Frank Molina, a gruff journalist, must face his demons to get to the bottom of a gruesome murder. The investigation drags him into the depths of a dark and mysterious city, where he learns firsthand nothing is what it seems.
A motley group of addicts attend a rehabilitation program at an isolated farm to get sun, relax and consume the drugs and alcohol they smuggled in. Unfortunately and unbeknownst to them, the farm is infested with zombies and these aren’t your usual slow moving, lumbering zombies. These blood suckers run fast!
The true story of eccentric British artist Louis Wain (Benedict Cumberbatch), whose playful, psychedelic pictures transformed the public’s perception of cats forever. Set in the early 1900s, we follow Wain as he seeks to unlock the “electrical” mysteries of the world and, in so doing, to better understand his own life and the profound love he shared with his wife Emily Richardson (Claire Foy).
It’s 1959 in a seedy bar in Philadelphia, and Billie Holiday is giving one of her last performances interlaced with salty, often humorous, reminiscences to project a riveting portrait of the lady and her music 4 months before her death.
Woolworths TASTE magazine is a flagship brand for Woolworths as a business and Woolworths Foods as a department. It delivers superbly in terms of the two Woolworths brand pillars – the Woolworths difference and Woolworths heritage. It’s excellent value is reflected in an abundance of recipes (more than 50 per issue) and ideas. Quality content which is also inspirational are synonymous with the brand. The Taste reader is anyone, male or female, young and old that loves the Taste brand, loves food, loves eating, loves cooking and loves Woolworths quality products and recipes – Taste celebrates that in each issue.
New Zealand Woman’s Weekly is the country’s most read woman’s magazine. A true publishing icon, the Weekly shares stories of real New Zealand women as well as in-depth royal news and celebrity features from abroad. The magazine also inspires with relevant and aspirational content covering all things food, style, home and entertaining.
