Kenai, a man who resents bears after a fight with one kills his older brother, is turned into a bear so he can see life from a different perspective. He is visited by the spirit of his older brother, and is told that, if he wishes to be changed back into a human, he must travel to the place where the lights touch the Earth, in other words, the Northern Lights.
One day a police officer finds a red wedding envelope, only to find out that the owner is in fact a ghost asking for the officer’s hand in marriage before reincarnation. What will happen when a human and a ghost form a special bond?
The story of Linda Lovelace, who is used and abused by the porn industry at the behest of her coercive husband, before taking control of her life.
In this handsome period piece perfectly suited for cinephiles of all stripes, director Michael Engler (Downton Abbey, 30 Rock, Six Feet Under) and screenwriter Julian Fellowes (Downton Abbey, Gosford Park) bring a fascinating slice of pre-Hollywood history to light in a coming-of-age story centering on the relationship between the young, free-spirited and soon-to-be international screen starlet Louise Brooks (a riveting, high-intensity Haley Lu Richardson) and her tee-totalling chaperone (a wonderfully nuanced Elizabeth McGovern). On their journey from the conservative confines of Wichita Kansas to the flash and sizzle of New York City, both women are driven by a kindred desire for self-discovery and liberation from the past. Based on the book by Laura Moriarty and anchored by a superb supporting cast (Miranda Otto, Géza Röhrig, and Blythe Danner in a key cameo), The Chaperone is a sensitive, resonant, and illuminating tale of women’s lives in the early 20th century.
In the span of a single day, the town of Silverton is ravaged by an unprecedented onslaught of tornadoes. The entire town is at the mercy of the erratic and deadly cyclones, even as storm trackers predict the worst is yet to come. Most people seek shelter, while others run towards the vortex, testing how far a storm chaser will go for that once-in-a-lifetime shot.
‘The Little Mermaid’ is by far one of Disneys most beloved animated features of all time so it is no suprise the studio chose to release two sequels to follow its success. What is amazing is how much of the life of Disney’s Ariel is unveiled within this trilogy.
The Little Mermaid (1989)
The Little Mermaid 2 Return to the Sea (2000)
The Little Mermaid 3 Ariel’s Beginning (2008)
A look at iconic pop artist Taylor Swift during a transformational time in her life as she embraces her role as a singer/songwriter and harnesses the full power of her voice.
Belle Williams is a speed demon. Flying through the streets of New York in her tricked-out taxi, she’s earned a rep as New York’s fastest cabbie. But driving a hack is only a pit stop for her real dream: Belle wants to be a race car champion. And she’s well on her way–until she’s derailed by overeager cop Andy Washburn, whose undercover skills are matched only by his total ineptitude behind the wheel. Washburn, whose lack of vehicular skills has landed him in the precinct doghouse, is hot on the heels of a gang of beautiful Brazilian bank robbers, led by Vanessa, their cold, calculating–and leggy–leader.
A visiting home health aide and recovering alcoholic, strives to rebuild her broken life, only to have it fall apart once again when she falls in love with her young, paraplegic patient then betrays her trust.
Miley Stewart might seem like an average girl, but she isn’t. She moved from Tennessee to Malibu and is adapting to a new lifestyle. Miley has a huge secret only known by her dad and manager Robbie Ray Stewart, her weird brother Jackson Stewart, and her two best friends Lilly Truscott and Oliver Oken. Miley Stewart’s huge secret is she leads a double as the famous pop singer Hannah Montana, along with her friend Lilly, who also has a double life as Lola, Hannah’s friend.
Golden Globe nominee Simon Baker stars as Patrick Jane, an independent consultant for the California Bureau of Investigation with a remarkable track record for solving serious crimes using only his razor sharp skills of observation. Notorious for his blatant lack of protocol and his semi-celebrity past as a psychic (whose paranormal abilities he now admits he feigned), Jane’s role in cracking a series of tough high-profile cases is highly valued by his fellow agents. However, no-nonsense Senior Agent Teresa Lisbon alternates between reluctantly acknowledging Jane’s usefulness and blasting him for his theatrics, narcissism and dangerous lack of boundaries. Lisbon’s team includes agents Kimball Cho, Wayne Rigsby and rookie Grace Van Pelt, who all think Jane’s a loose cannon but admire his charm and knack for clearing cases.
On a dark and stormy night the last train out of London comes to a sudden halt deep in the middle of a forest. After the driver ventures out to investigate and never returns, the passengers are in a state of panic – particularly after seeing the driver’s mutilated body outside the carriage. Realizing there’s something dangerous lurking in the forest, a ticket-collector, Joe (Ed Speleers), tells the passengers to make barricades to secure themselves in the carriage, but soon the deadly creature is stalking the besieged train and smashing through their defenses, picking them off one-by-one. Joe rallies his pack of passengers to fight back. During a vicious battle they manage to kill the creature, revealing it to be a hideous mutated fusion of human and wild animal – a werewolf. However, celebrations are cut short when they hear more howls coming from the forest…
