Adapted from the bestselling novel by author John Green, PAPER TOWNS is a coming-of-age story centering on Quentin and his enigmatic neighbor Margo, who loved mysteries so much she became one. After taking him on an all-night adventure through their hometown, Margo suddenly disappears – leaving behind cryptic clues for Quentin to decipher. The search leads Quentin and his quick-witted friends on an exhilarating adventure that is equal parts hilarious and moving. Ultimately, to track down Margo, Quentin must find a deeper understanding of true friendship – and true love.

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A couple facing the end of marriage, when the husband starts to disappear. As he fades from existence he discovers a new world of people who have disappeared just like him.

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Teen band SM6 is headlining their first gig, when the discovery of half treasure map sends them back in time to Mystic Island. To go back home, they’ll have to find the missing half of the map and the hidden treasure.

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A fracking horror story, “Unearth” follows two neighboring farm families whose relationships are strained when one of them chooses to lease their land to an oil and gas company. In the midst of growing tension, the land is drilled, and something long dormant and terrifying, deep beneath the earth’s surface is released. “Unearth” is about the horrifying repercussions sown by shortsighted decisions, and what our children reap from our actions.

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Harry, a broken man struggling to come to terms with the murder of his wife and daughter. When he discovers the whereabouts of the killers he awakens from his grief and filled with vengeance, seeks to destroy those who destroyed his life.

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A portrait of Dr. Anthony Fauci, the public servant, scientist, physician, husband and father whose career spans seven presidents and is bookended by two pandemics: HIV/AIDS, which shaped him, and of course, Covid-19; the latter bringing him countless TV appearances in American homes on an almost daily basis over the course of nearly two years.

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A warrior travels wild expanses on horseback, pursuing the monster that murdered his daughter. His thirst for revenge is the driving force of a film constructed with very few elements, minimalistic and epic at the same time, where fantasy and horror find their more physical and gory incarnations (synopsis in the 2018 Sitges Filmfestival programme catalogue).

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A story of a young man running from the truth about his childhood returns in order to correct his past but ends up discovering a side of himself that he suppressed.

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Marketing guru Robert Holding, life takes a dramatic turn after everyone forgets who he is.

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In his feature film directorial debut, comedian Bo Burnham deftly encapsulates the awkwardness, angst, self-loathing and reinvention that a teenage girl goes through on the cusp of high school. Given that the 27-year-old stand-up comic achieved fame as a teenager himself through YouTube by riffing on his insecurities, he is uniquely capable as the film’s writer and director to tell the story of Kayla, an anxious girl navigating the final days of her eighth grade year, despite creating a protagonist w female instead of male. Like Burnham did more than a decade ago, 13-year-old Kayla turns to YouTube to express herself, where she makes advice blogs in which she pretends to have it all together. In reality, Kayla is sullen and silent around her single father and her peers at school, carrying out most of her interactions with her classmates on Instagram and Twitter. Her YouTube videos are a clever narrative tool that provide insight into her inner hopes and dreams, much like an inspirational online diary. One of Eighth Grade’s biggest triumphs is in its realism.

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