As Samuel Alabaster (Robert Pattinson) travels across the American Frontier, on a journey to marry the love he has always looked for, Penelope (Mia Wasikowski), life becomes more and more dangerous. Accompanied by his miniature horse, Butterscotch, and drunkard companion, Parson Henry (David Zellner), the lines between hero, villain and damsel in distress become more and more blurred in this comic reinvention of the classic western movie.
A former Bay City cop tries to keep his failing P. I. business alive, and his loyal assistant employed, by finding and returning a piece of very expensive jewelry for a fabulously wealthy and beautiful client. She’s the first client he’s had in a long time but Philip discovers that there is far more to her story than she told him. Most puzzling of all, the police don’t want him to follow this case or the suspicious circumstances surrounding the death of his late wife. The deeper he goes into this case, the clearer it becomes that everyone with whom he comes in contact has a secret.
An 18-year-old basketball star who is being recruited by Cornell University seems to have it all figured out: captain of his team, a good student, has a longtime girlfriend and some good friends. But at home he’s struggling with his troubled father who has a gambling addiction. His mother tries to keep the family afloat but does so with great emotional and financial sacrifice.
rom Park Hoon-jung, the director of slick gangster pic New World, this big budget tale is set towards the end of the Joseon dynasty, when Korea was under Japanese rule. Rather than a cruel tale of chasing down a rare, beautiful animal, the story is a patriotic one for Koreans, as a local hunter was assigned with the task of killing the beast, a symbol of courage and pride in the country, rather than letting it be mowed down by their military oppressors.
A skateboarder investigating the mysterious death of his roommate is led into the inner workings of a self-help company, and the pharmaceutical lab behind it.
The United States of America is notorious for its astronomical number of people killed by firearms for a developed nation without a civil war. With his signature sense of angry humor, activist filmmaker Michael Moore sets out to explore the roots of this bloodshed. In doing so, he learns that the conventional answers of easy availability of guns, violent national history, violent entertainment and even poverty are inadequate to explain this violence when other cultures share those same factors without the equivalent carnage. In order to arrive at a possible explanation, Michael Moore takes on a deeper examination of America’s culture of fear, bigotry and violence in a nation with widespread gun ownership. Furthermore, he seeks to investigate and confront the powerful elite political and corporate interests fanning this culture for their own unscrupulous gain.
A Man’s life on his farm is interrupted when a cop and a pair of dangerous criminals show up.
A true story in the Arkansas wilderness a man is harassed by Bigfoot on a ridge
