

Global edition of The Spectator – long-form essays and sharp commentary on international politics, culture, ideas and society, written by leading columnists and thinkers with a distinctly opinionated voice.

The New Yorker is a national weekly magazine that offers a signature mix of reporting and commentary on politics, foreign affairs, business, technology, popular culture, and the arts, along with humor, fiction, poetry, and cartoons.

While looking for an apartment, Jeanne, a beautiful young Parisienne, encounters Paul, a mysterious American expatriate mourning his wife’s recent suicide. Instantly drawn to each other, they have a stormy, passionate affair, in which they do not reveal their names to each other. Their relationship deeply affects their lives, as Paul struggles with his wife’s death and Jeanne prepares to marry her fiance, Tom, a film director making a cinema-verite documentary about her.

Baptiste, a talented impressionist, can’t manage to make a living. One day, a novelist, Pierre, asks him to imitate his voice over the telephone, so Pierre can write in peace and quiet. Gradually, Baptiste takes over Pierre’s personality.

Dokja’s favorite novel comes ominously true; using his intricate knowledge of the impending apocalyptic story, the office worker changes destiny.

Mia Malkova and her boyfriend try to do things out of the blue and enter a desert even after there is a no-entry board written on it. In this situation, scary things and some crazy people start troubling them. The couple runs for their life and reaches a small town only to know there are more dangerous situations are in store for them. Who is behind these incidents and how the couple comes out of this mess forms the crux of the story.

In a last ditch effort to win over the girl of his dreams, a nerdy high school senior (Lorenzo Henrie) and his best friends embark on a road trip to see their favorite band at the biggest music festival of the year, only to discover true love in the most unexpected place. This Is The Year is a feel-good, contemporary spin on many of the classic 80’s movies that resonated with that era’s youth. It aims to address the issues facing teens today – speaking their language and breaking through with a story that actually means something.

A long-dormant blood feud between two families reignites when Lucas – a bright, college-bound young man tries to escape a violent rural town but is first forced to avenge his father’s death at the hands of the vicious local crime boss.

Somewhere in Santiago at a dimly-lit nightclub, Orlando, the kindly and well-off owner of a textile company, locks eyes with Marina, a hopeful singer and the roughly half-his-age love of his life. But, unfortunately, after Marina’s birthday celebration and a night of passion, Orlando falls gravely ill–and by the following morning–he dies in hospital. In the wake of her companion’s untimely death, Marina will soon realise that, from now on, everything is brought into question: her involvement in Orlando’s death, their unconventional relationship; and above all, her right to mourn her beloved deceased. In the end, what was Marina’s crime; a deed so hideous that would rob a fantastic woman of her respect, her dignity, and ultimately, her identity?
















