
Set in a single room of an average American motel, ROOM 104 tells a different story of the assorted characters who pass through it in each episode.

Set in a single room of an average American motel, ROOM 104 tells a different story of the assorted characters who pass through it in each episode.

Samantha Hughes, a teenaged Kentucky girl, never knew her father, who died in Vietnam before her birth. Samantha lives with her uncle Emmett, who also served in Vietnam. Emmett hangs around with Tom, Earl, and Pete, three other Vietnam vets who, like Emmett, all have problems of one kind or another that relate to their war experiences. Samantha becomes obsessed with finding out about her father.

“I am poor and put upon”, concedes Becky Sharp during the first episode of Vanity Fair, but it rapidly becomes clear that she intends to change this situation, scrambling up the social ladder by exploiting her guile, good looks and the gullibility of doting males. In the light of her selfish, single-minded resolve to achieve success, Sharp may be viewed as an optimistic dreamer, pragmatic schemer, proto-feminist or a coquettish combination of all three.

Following a tragic car accident, detective Michael Britten finds himself awake in two separate realities: one where his teen son, Rex, died in the crash and his wife, Hannah, survived and another where Hannah has perished, leaving Michael and Rex to pick up the pieces. In order to keep both of his loved ones alive, Michael begins living in two dueling realities, churning up confusion. In one reality, Michael and his wife debate having another child, while in the other, his son Rex is turning to his tennis coach, Tara, to fill the void from the loss of his mother. Trying to regain some normalcy, Michael returns to solving crimes in both worlds with the help of two different partners, Detective Isaiah “Bird” Freeman and Detective Efrem Vega.
Joss Whedon, creator of groundbreaking cult favorites “Buffy the Vampire Slayer” and “Firefly,” writer of the Avengers blockbuster movies returns to television in DOLLHOUSE.

Echo is an “Active,” a member of a highly illegal and underground group of individuals who have had their personalities wiped clean so they can be imprinted with any number of new personas. Hired by the wealthy, powerful and connected, the Actives don’t just perform their hired roles; they wholly become – with mind, personality and physiology – whomever the client wants or needs them to be. Whether imprinted to be a lover, an assassin, a corporate negotiator or a best friend, the Actives know no other life than the specific engagements they are in at that time.

Seven morality-themed horror tales surround an eccentric person, who hacks into two millennials’ computer screens and forces them to watch short video examples that reveal the consequences of various immoral crimes. Each of the tales in this horror-comedy might seem over-the-top, but they put a horrifying and twisted spin on some of the important conflicts facing the society we live in today.

The Act is a seasonal anthology series that tells startling, stranger-than-fiction true crime stories. The first season follows Gypsy Blanchard, a girl trying to escape the toxic relationship she has with her overprotective mother. Her quest for independence opens a Pandora’s box of secrets, one that ultimately leads to murder.

Two men prepare to compete in a legendary bare-knuckle fight where the winner gets a $100,000 prize.

Christmas, 1983. A New York postal clerk, a Buffalo Soldier in Italy in World War II, shoots a stranger. In his apartment, police find a valuable Italian marble head, missing since the war. Flashbacks tell the story of four Black soldiers who cross Tuscany’s Serchio River, dodging German and friendly fire. With a shell-shocked boy in tow, they reach the village of Colognora. Orders via radio tell them to capture a German soldier for questioning about a counteroffensive. In the village, a beautiful woman, partisans that include a traitor and a local legend, the boy, and the story of a recent massacre connect to the postal worker’s anguish forty years later. And the miracle?