
Tracklist on next page

10-year-old Billy Batson shouts a single word and, with lightning bolts flashing, he transforms into Shazam!, a full-fledged adult Super Hero. It doesn’t take long for Superman, Wonder Woman, Batman and the rest of the Justice League to take notice and invite the earnest do-gooder to join the team. But to become a member, Billy must reveal his true identity. While fighting off the evil Mr. Mind and Black Adam, Billy learns that he must trust others – and that nothing creates trust like helping those in need.

A large meteor shower unexpectedly bombards planet Earth. Scientists rush to the scene of the first impact and the race is on to find a solution to save humanity.

The term “blood quantum” refers to a colonial blood measurement system that is used to determine an individual’s Indigenous status, and is criticized as a tool of control and erasure of Indigenous peoples. The words take on even more provocative implications as the title of Jeff Barnaby’s sophomore feature, which grimly depicts an apocalyptic scenario where in an isolated “Mi’gmaq” community discover they are the only humans immune to a zombie plague. As the citizens of surrounding cities flee to the “Mi’gmaq” reserve in search of refuge from the outbreak, the community must reckon with whether to let the outsiders in – and thus risk not just the extinction of their tribe but of humanity, period. The severe and scathing portrait of post-colonial Indigenous life and culture that Barnaby previously captured in the acclaimed Rhymes for Young Ghouls here deftly collides with the iconography and violent hyperbole typical of the zombie genre. The Undead are spectacularly and gruesomely …