Ferdinand Griffon, married to a wealthy Italian wife, has recently been fired from the television station where he worked. His wife forces him to go to a party at the home of her influential father, who wants to introduce him to a potential employer. Her brother brings babysitter Marianne Renoir to take care of their children. Feeling bored at the bourgeois party, Ferdinand borrows his brother-in-law’s car to head home. He meets Marianne, who was his mistress five years ago and insists on calling him Pierrot, and offers to take her home. They spend the night together and he learns that she’s involved in smuggling weapons. When terrorists chase her, they decide to leave Paris and his family behind and go on the run, on a crazy journey to nowhere.

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Brothers addicted to speed. At any price. Motorcycle road racing is the most dangerous of all motor sports. One in which men compete at speeds of up to 200 miles per hour on closed country roads. Roads that are lined with trees, telegraph posts, stone walls. Ireland and the Isle of Man are two of the few places in the world where the sport still survives. Narrated by Liam Neeson, this is the dramatic and poignant story of two sets of brothers from Northern Ireland who have dominated road racing for over thirty years. Two generations of one family that have been united by success. And united by tragedy.

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In Gregor Jordan’s adaptation of the acclaimed novel by Tim Winton, the stunning landscape of Western Australia is the backdrop for an impassioned tale of love and grief. Stuck in a loveless relationship with legendary local fisherman Jim Buckridge (David Wenham), the despondent Georgie (Kelly Macdonald) becomes enamored with Lu (Garrett Hedlund), a young poacher who is encroaching on her tyrannical partner’s territory. A reticent loner with a tragic past who gave up his life as a musician, Lu is wary of letting Georgie in. But their fervent attraction gets the better of them, and secrets are uncovered that will change their lives. When Jim finds out about the affair, Lu flees into the punishing terrain with no intention of returning, and Georgie sets off on a chase to bring her lover back. Three tempestuous characters, worn down by traumas, find themselves bound together and forced to face one another’s inner conflicts in this blistering outback melodrama. Fuelled by the palpable …

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Saunders Comprehensive Review for the NCLEX-RN® Examination, 8th Edition has been thoroughly updated to reflect the most recent test plan. This new edition includes 5,200 NCLEX examination-style questions.

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Sylvie and Maggie are strangers living on opposite coasts, leading very similar lives with husbands that travel for work too much and daughters about to leave the nest. But when their daughters befriend each other on a college tour, they soon discover a shocking secret that threatens to tear both families apart.

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In the 1920s, the Provence is a magnet for immigrants seeking work in the quarries or in agriculture. Many mingle with locals and settle down permanently – like Toni, an Italian who has moved in with Marie, a Frenchwoman. Even a well-ordered existence is not immune from boredom, friendship, love, or enmity, and Toni gets entangled in a web of increasingly passionate relationships. For there is his best pal Fernand, but also Albert, his overbearing foreman; there is Sebastian, a steady Spanish peasant, but also Gabi, his young rogue relative; there is Marie, but there is also Josefa.

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Oshare (Gorgeous) is excited about spending summer vacation with her father, until she finds out that his beautiful, freakishly serene girlfriend Ryouko would be going as well. Oshare decides she will be going to her aunt’s house in the country instead. She brings with her her friends from school – Fanta (who likes to take pictures, and daydreams a lot), KunFuu (who has very good reflexes), Gari/Prof (who is a major nerd), Sweet (who likes to clean), Mac (who eats a lot), and Melody (a musician). However, the girls are unaware that the house is actually haunted. When they arrive at the house, crazy events take place and the girls disappear one by one while slowly discovering the secret behind all the madness.

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Portrait of the artist as a young man. In spring, 1965, Bob Dylan, 23, a pixyish troubador, spends three weeks in England. Pennebaker’s camera follows him from airport to hall, from hotel room to public house, from conversation to concert. Joan Baez and Donovan, among others, are on hand. It’s the period when Dylan is shifting from acoustic to electric, a transition that not all fans, including Baez, applaud. From the opening sequence of Dylan holding up words to the soundtrack’s “Subterranean Homesick Blues,” Dylan is playful and enigmatic.

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Hereford Locomotive Shed is the first in a series of in-depth studies to look closely at the changing engine allocations and operational responsibilities of motive power depots during the latter days of steam. In Herefords case this was a varied mixture of main line passenger, freight trip working, branch line passenger, station pilot duties and yard shunting. Unusually, the latter remained a steam preserve until months before depot closure in November 1964. Not forgotten are the depots small sub-sheds, which had varying responsibilities over the years, as the district boundaries changed at Ledbury, Leominster, Ross-on-Wye and Craven Arms. Their very different duties were inevitably a reflection of a bygone age and an all too rapidly changing future.

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Shawn and Gus return to Santa Barbara to help their old police chief, but find themselves unwelcome in their old stomping ground as they secretly untangle a case that involves the supernatural.

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Reeling from a one-sided breakup, heartbroken Karen breaks into her ex’s lake house. There, she strikes up a complicated relationship with provocative younger woman Lana.

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