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With SHADOW, director Zhang Yimou (HERO, HOUSE OF FLYING DAGGERS) once again pushes the boundaries of wuxia action to create a film like no other, masterfully painting a canvas of inky blacks and greys punctuated with bursts of color from the blood of the defeated. In a kingdom ruled by a young and unpredictable king, the military commander has a secret weapon: a “shadow”, a look-alike who can fool both his enemies and the King himself. Now he must use this weapon in an intricate plan that will lead his people to victory in a war that the King does not want.

A powerful and uplifting drama about the power of faith, this movie tells the story of a 10-year-old shepherdess and her two young cousins in Fátima, Portugal, who report seeing visions of the Virgin Mary. Their revelations inspire believers but anger officials of both the Church and secular government, who try to force them to recant their story. As word of their prophecy spreads, tens of thousands of religious pilgrims flock to the site in hopes of witnessing a miracle. What they experience will change their lives forever.

A homeless man and his young companion, who survive by conning people, meet a woman who may need them even more than they need her.

A documentary murder mystery about the filmmaker’s family, set in lower Alabama, 18 miles north of the Florida state line. On an October night in 1946, S.E. Branch twice shot a man named Bill Spann in the small neighborhood market that Branch owned. Two days later, Spann died in a segregated black hospital. Branch was white-a Klansman-and Spann was black. Branch claimed self-defense, but despite that claim and the political climate in Dothan, Alabama in 1946, Branch was charged with first-degree murder. S.E. Branch was the artist’s great granddaddy, on his mother’s side. Everyone says they looked alike. That this story echoes across decades and generations says much about the distance travelled by U.S. society since 1946.