
A group of cooks at an asylum for the criminally insane get locked in with the inmates during a massive thunderstorm.

A group of cooks at an asylum for the criminally insane get locked in with the inmates during a massive thunderstorm.

A successful young couple’s sheltered, affluent world is shattered when they each make a decision to neglect the needs of a troubled teenage girl.

As tragedy strikes him in his prime, famed boxer, Billy Hope, begins to fall into a great depression. Once the decision regarding the custody of his daughter is under question, Billy decides to get his life back on track by getting back into the ring.

Three time periods – young adolescence, mid-teen and young adult – in the life of black-American Chiron is presented. When a child, Chiron lives with his single, crack addict mother Paula in a crime ridden neighborhood in Miami. Chiron is a shy, withdrawn child largely due to his small size and being neglected by his mother, who is more concerned about getting her fixes and satisfying her carnal needs than taking care of him. Because of these issues, Chiron is bullied, the slurs hurled at him which he doesn’t understand beyond knowing that they are meant to be hurtful. Besides his same aged Cuban-American friend Kevin, Chiron is given what little guidance he has in life from a neighborhood drug dealer named Juan, who can see that he is neglected, and Juan’s caring girlfriend Teresa, whose home acts as a sanctuary away from the bullies and away from Paula’s abuse. With this childhood as a foundation, Chiron may have a predetermined path in life, one that will only be magnified in terms…

In this intense classical thriller, from an original screenplay by Oscar-winning writer William Monahan (The Departed), a violent artist, Thomas, (Garrett Hedlund) has an ominous encounter in the desert with a homicidal, chameleon-like drifter, Jack, (Oscar Isaac). Jack follows Thomas back to his privileged L.A. home life, holding a dark secret over his head as he attempts to infiltrate and destroy his seemingly-perfect life. Thomas must come to terms with his own insecurities and self-doubt to protect himself and his family, and go head-to-head with his nemesis in a riveting two-man clash that plays out in exciting and unexpected ways.

Alderney, UK. 1964. A telephone operator ends up being the pivotal piece of a drama unfurling which puts professional integrity, and relationships, to the test.

A bunch of emo kids fight a scarecrow from outer space while two investigators search for a missing baby.

The most viscerally frightening and disturbing homicidal maniac picture since The Silence of the Lambs, Seven is based on an idea that’s both gruesome and ingenious. A serial killer forces each of his victims to die by acting out one of the seven deadly sins. The murder scene is then artfully arranged into a grotesque tableau, a graphic illustration of each mortal vice. From the jittery opening credits to the horrifying (and seemingly inescapable) concluding twist, director David Fincher immerses us in a murky urban twilight where everything seems to be rotting, rusting, or molding. The air is cold and heavy with dread. Morgan Freeman and Brad Pitt are the detectives who skillfully track down the killer, all the while unaware that he has been closing in on them, as well.

Charlie suffers from cataplexy, a symptom of narcolepsy that causes sudden bouts of paralysis whenever he experiences strong emotions — in particular, joy. He develops a variety of techniques to deny himself too much pleasure and happiness, but they’re put to the ultimate test when he falls in love

Professor Joss, who travels to England to visit the farm where her late mother grew up and bonds with single father Daniel, whose family now runs it.