Cassius Dio (c. 160–c. 230) is a familiar name to Roman historians, but still an enigmatic one. His text has shaped our understanding of his own period and earlier eras, but basic questions remain about his Greek and Roman cultural identities and his literary and intellectual influences. Contributors to this volume read Dio against different backgrounds including the politics of the Severan court, the cultural milieu of the Second Sophistic and Roman traditions of historiography and political theory. Dio emerges as not just a recounter of events, but a representative of his times in all their complexity.

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This is the first non-Soviet history of the Volga countryside during the Russian revolution and civil war of 1917-1921. The product of extensive study of numerous archival sources–many of them from central government archives, and previously considered highly secret–it reconstructs the revolutionary experience of the peasantry in the crucial Volga region, situated immediately behind the military fronts between the Reds and the Whites. Figes examines in detail the impact of the revolution on the villages. With the destruction of the old agrarian state, the task of reforming the social life of the countryside was left to the peasants, who set about reconstructing the order according to traditional peasant notions of social justice. The ability of the Bolsheviks to mobilize the peasantry is explained in terms of political and social developments at the village level during the civil war. The civil war, Figes argues, left a deep scar on the peasant economy and peasant-state relations, which influenced the entire development of the Soviet regime.

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This book examines how sleep and dreams were approached in early Greek thought, highlighting the theories of the Presocratic and Hippocratic writers on both phenomena as more varied, complex, and substantial than is usually credited.

It explores how the Presocratic natural philosophers and early Hippocratic medical writers developed theories which drew from wider investigations into physiology and psychology, the natural world and the self, while also engaging with wider literary depictions and established cultural beliefs. Although the focus is predominantly on Presocratic and Hippocratic ideas, this is not exclusive: attention is devoted from the outset to sleep and dreams in Homer and the mythic tradition, as well as to depictions across lyric, drama, and historiography.

Sleep and Dreams in Early Greek Thought provides a fascinating study of this topic which will be of interest to students and scholars of ancient medicine and the history of science, Greek philosophy, and classical culture more broadly. It is accessible to students with or without knowledge of the classical languages, and also to anyone with a general interest in the beliefs of the classical world.

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This unflinching series documents the 9/11 terrorist attacks, from Al Qaeda’s roots in the 1980s to America’s response, both at home and abroad.

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WHAT? is a black and white, silent (and signing) comedy about a struggling deaf actor, sick of agreeing to increasingly humiliating tasks just to get a role, who decides to take matters into his own – hands.

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