
The nightmare begins when a teacher takes his students on a field trip to an obscure ghost town that may be haunted.

The nightmare begins when a teacher takes his students on a field trip to an obscure ghost town that may be haunted.

These 3 minute episodes fill in the Larger tapestry of The Star Wars Universe with Little Acts of heroism from our Heroes/ Heroines of Star Wars. They are small moments and everyday decisions shape a larger heroic saga.

With this nuanced and interdisciplinary work, political theorist Mihaela Mihai tackles several interrelated questions: How do societies remember histories of systemic violence? Who is excluded from such histories’ cast of characters? And what are the political costs of selective remembering in the present? Building on insights from political theory, social epistemology, and feminist and critical race theory, Mihai argues that a double erasure often structures hegemonic narratives of complex violence: of widespread, heterogeneous complicity and of “impure” resistances, not easily subsumed to exceptionalist heroic models. In dialogue with care ethicists and philosophers of art, she then suggests that such narrative reductionism can be disrupted aesthetically through practices of “mnemonic care,” that is, through the hermeneutical labor that critical artists deliver—thematically and formally—within communities’ space of meaning. Empirically, the book examines both consecrated and marginalized artists who tackled the memory of Vichy France, communist Romania, and apartheid South Africa. Despite their specificities, these contexts present us with an opportunity to analyze similar mnemonic dynamics and to recognize the political impact of dissenting artistic production. Crossing disciplinary boundaries, the book intervenes in debates over collective responsibility, historical injustice, and the aesthetics of violence within political theory, memory studies, social epistemology, and transitional justice.

Public Corruption in the United States provides a comprehensive view of public corruption, including discussion on its types, methods, trends, challenges, and overall impact. It is the first book of its kind to examine in plain language the breadth of criminal public corruption in the United States, not just at a superficial level, but in a deeper context. By critically examining acts of corruption of elected, appointed and hired government officials (legislators, law enforcement, judges, etc.) at the local, state, and federal levels, the reader gains insight into the inner workings of corruption, including its relationship to terrorism and organized criminal networks.

This first book-length exploration of geographical engagement with puppets examines constructions of puppets in contemporary popular British culture and considers the various ways in which puppets and humans (not just puppeteers) are unified in diverse cultural media.

So, what’s all the hype about eating raw food? Are you inquisitive about this type of diet? Would you like to incorporate healthy, raw foods into your recipes at home?
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Mato Kuroi just got into junior high school, and on the first day, someone catches her eye; her classmate Yomi Takanashi. The two meet. The innocent and naive Mato, the mature Yomi. Seemingly opposites, but the time they spend together only strengthens a growing friendship. But as they go into their second year at the school, they get placed in separate classes, and they begin to grow apart. But somewhere simultaneously, in another world, a young girl, blue fire in her eyes, Black Rock Shooter faces another young girl; this one holding a jet-black scythe, Dead Master, and a battle to the death begins to unfold.

After high school graduation, “Laguna Beach” alumna Lauren sets out to live on her own in Los Angeles and work as an intern at Teen Vogue.

Four-part docuseries on the 1986 Challenger space shuttle disaster, unpacking an indelible moment for a generation of Americans.

After jointly winning a local drag queen pageant in New York City, Noxeema Jackson and Vida Boheme win the right and are given the round trip airfare to compete in the Drag Queen of America pageant in Hollywood, California. Noxeema sees herself as the next Dorothy Dandridge, who bucked the trend of most black American movie actresses of her time by never playing the slave house maid.

This wide-ranging collection of articles, first published in 1981, documents the development of the intellectual and political aspects of the concept of the Asiatic Mode of Production – a concept central to the Western understanding of non-capitalist societies.