The sister title to Boat International for the North American market, Boat International US Edition is the leading magazine for American big boat owners. Originally launched as ShowBoats International in 1983, it has established itself as an indispensable guide for discerning, affluent buyers in the multi- billion dollar US luxury yachting market. From its base in Fort Lauderdale, the international yachting capital, Boat International US Edition delivers the definitive inside stories on the remarkable yachts, the outstanding owners and the exceptional wealth that shape this multibillion-dollar industry.

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Best Magazine – is a weekly magazine for women who want to stay up to date and entertained, with true life stories, the latest tips on how to lose weight and look good, how to cook for all the family in 15 minutes, reliable health advice and inspiration for your household, and showbiz news and gossip. Covering a great variety of issues, Best has everything a busy woman needs to keep fit, happy and healthy while running her home.

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Bella is a classic woman’s weekly lifestyle magazine to rival Best, Woman, and Woman’s Own. It combines insightful, often shocking true life stories with practical style and lifestyle tips and advice, as well as celebrity gossip. With a true understanding of the modern woman’s needs, Bella magazine is all you’ll want to read, all day long. Or do you have a story you want told? Submit it to Bella magazine, and get your spot in the limelight.

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ABC is the leading bus and coach publication in Australia, providing operators with vital information and market intelligence to help them keep their BUSiness moving. ABC is the major source of vehicle and equipment classifieds for the industry.

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Every week, Amateur Gardening is the first choice for both beginners and knowledgeable gardeners looking for advice and easy-to-follow practical features on growing flowers, trees, shrubs as well as fruit and vegetables. Be inspired, by our beautifully illustrated features covering plant and flower groups, both home grown and exotic, and take a sneak peek into some of the most beautiful private gardens around the country. Plus, every week we feature expert opinion and tips from some of gardening’s most influential exponents including Toby Buckland, Bob Flowerdew, Anne Swithinbank, Peter Seabrook and Jo Whittingham.

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Adventure Motorcycle Print and Digital Magazine with news, reviews, reports, profiles, events and more!

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A complete guide to 4x4s, SUVs, caravans, boats and camping gear. If you’re into the outdoors, then get this magazine. Whether you’re looking to buy, sell or just dream, there’s no better place to find the right vehicle for your next adventure!

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American Waterfowler stands alone as the bible of contemporary waterfowl hunting while paying homage to the deep traditions and exalted past of the marsh gunners and all their trappings.

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Phoenix Rising delves behind familiar headlines and explores the often-misunderstood aspects of domestic abuse, helping to shed light on the many factors that prevent survivors from coming forward with their stories as they deal with years of aftershocks and emotional trauma.

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DMZ leaps off the pages of the acclaimed DC graphic novel into the visual landscape of a dangerous and distorted Manhattan as one woman navigates a demilitarized zone in a harrowing quest to find her lost son.

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Two great American painters, Mark Rothko and Milton Avery, were both interested in the idea that the essence of a painting was not its illusory representation of “reality and depth” but instead the painting’s colors and their relation to each other. Rothko thought that a painting should have no “Representation of Reality” at all. Just be blocks of different colors. And, while Avery agreed that Color Fields, colors and their relationship with each other, were a crucial element in a painting, he also thought paintings should have, however vague and abstract, some reference to “Representational Reality”. In this series of abstract landscapes, I tried to find a Middle Path between “Representational Reality” and pure “Color Fields”. Even though I later developed a more representational style similar to the German Expressionists, I still see my often heavily distorted representational images as opportunities for extreme use of non-representational color.

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