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This motion picture is a suspense/thriller based on the short story; The Fall of the House of Usher by Edgar Allan Poe. This updated re-telling is written by award winning filmmaker George Adams and possesses the quintessential features of the Gothic: a large dreary house, strange macabre characters with doubled personalities and a mysterious sickness. A contrast, this standard formula has a plot that is bizarre, unexpected, and full of unforeseen disturbances. Part of the terror in this story is the vagueness of time and place and the haziness sets the tone for a plot that blurs the real and the eccentric.

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Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

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A team of Redditors lose everything after a cryptocurrency scam leads them to plot to kidnap the “financial influencer” who screwed them over.

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Gabby St. Claire had to drop out of school before she can complete a degree in forensic science to help her family. Instead, she did the next best thing: she became a crime scene cleaner. When a routine cleaning job uncovers a murder weapon the police overlooked, she realizes that the wrong person is in jail. But the owner of the weapon is willing to do anything to keep Gabby quiet. With the help of her neighbor, Riley Thomas, Gabby plays detective. But can Riley help her before another murder occurs?

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Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

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What Freddie Steinmark (Finn Wittrock) wants most in the world is to play football. Although he is deemed too small by the usual athletic standards, his father trains him hard. Freddie brings a fight to the game that ultimately gets him noticed–by none other than legendary University of Texas coach Darrell Royal (Aaron Eckhart). Awarded a scholarship and a chance to play for the Longhorns, Freddie sets off to Austin with his loving high school sweetheart, Linda (Sarah Bolger), determined to make the team. Alongside his old teammate Bobby Mitchell (Rett Terrell) and new pal James Street (Juston Street), Freddie is put through the paces of a grueling practice schedule. The boys’ camaraderie off the field translates into solid playing on it, and they rise up the depth charts, giving the Longhorns a real chance to improve upon their mediocre record. But just when they’re reveling in the success of the season, Freddie suffers an injury that leads to a shocking diagnosis and the biggest …

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When a young girl called Eve gets kidnapped and imprisoned in a dungeon-like basement, the police believe it is the work of the notorious Pied Piper.

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Ever the romantic, Samantha “Sam” Hart (Erin Krakow) is optimistically trying to find her Prince Charming on a white horse, even if that means going on bad date after bad date. After making eye contact at one of his shows, Sam initiates an online relationship with photographer Heath Madsen (Ryan McPartlin). Sam is later shocked when she receives a plane ticket to visit Heath. But when she arrives for her romantic weekend, Sam learns that her online relationship was actually created by Heath’s 12 year-old son, and his longtime housekeeper May (Patricia Richardson). Even worse, her visit is a complete surprise to Heath, who is busy struggling to find inspiration for his upcoming photo exhibit and coping with the pressure from his pushy manager, Celeste Jeffers-Johnson (Kaitlin Doubleday).Now stuck on a romantic vacation with her non-boyfriend, could an actual relationship between Heath and Sam be their destiny?

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The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.

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WARNING: THIS MOVIE HAS BEEN BANNED in may countries due to its violence and explicit graphic scenes. Be warned, even if you think you know what this movie is about and what your limits in screen violence is, you still won’t be prepared for what a mental hot foot this film is. VIEWER DISCRETION IS STRONGLY ADVISED.

Irreversible is not a film, it’s a machine. A machine built with one purpose and one purpose only: to upset, distress, nauseate, and disturb you. From the queasy camera movements, to the hypnotizing soundtrack, to the reverse narrative, to the violent and disturbing imagery, Irreversible is not a film that you will easily forget.

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A simple story of a God fearing, devout Muslim mechanic named Hasmat Ullah who has been entrusted the job of repairing an old V8 ford engine, not knowing the historic significance that it once carried the ashes of Mahatma Gandhi which were immersed in the holy river Sangam. He is caught in a complex situation after a powerful bomb explosion rocks his town leading to the arrest of innocent Muslim youths of his locality. A strike to work is called by the prominent Leaders of his community to protest against the unjust treatment meted out to those arrested youths by the police. Will he support the protest and abandon the repair of the engine or go against the wishes of his community. Thus begins his journey.

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