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Dec
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19
A year after the release of his GRAMMY®-winning breakthrough—2015’s Beauty Behind the Madness—The Weeknd returns with Starboy, a double album of interstellar soul and feverish R&B that orbits around an ambitious title character. Bookended by two titanic but very different Daft Punk collaborations, it’s a listening experience that, from start to finish, speaks to the Toronto native’s mastery of both melody and mood. “It’s good to have darkness,” he told Beats 1’s Zane Lowe. “Because when the light comes, it feels that much better.”
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Dec
19
The crooner defies expectations on his self-produced seventh LP. While Nobody But Me still features plenty of big band romance (as well as a stirring cover of The Beach Boys’ “God Only Knows”), the acoustic pop of “I Believe in You” and rap-enriched “Nobody But Me” (which features a verse from The Roots’ Black Thought) prove that Bublé’s much more than a throwback
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Escapist, lush synth-pop with nods ‘70s California. For their third album, Empire of the Sun tapped a dream team of legendary musicians to lend their talents: Henry Hey and Tim Lefebvre from David Bowie’s Blackstar band, Prince bandmate Wendy Melvoin, and Fleetwood Mac’s Lindsey Buckingham. The latter helped write “To Her Door,” which is as warm and wistful as Fleetwood’s “Gypsy” or Empire’s own “Walking on a Dream.”
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Dec
19
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19
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