Warwick Wilson is the consummate host. He carefully prepares for a dinner party, the table impeccably set and the duck perfectly timed for 8:30 p.m. John Taylor is a career criminal. He’s just robbed a bank and needs to get off the streets. He finds himself on Warwick’s doorstep posing as a friend of a friend, new to Los Angeles, who’s been mugged and lost his luggage. As the wine flows and the evening progresses, we become deeply intertwined in the lives of these two men and discover just how deceiving appearances can be. With outstanding performances by David Hyde Pierce and Clayne Crawford, cowriter/director Nick Tomnay takes us on a suspense-filled ride where nothing is as it seems. THE PERFECT HOST is a slippery psychological thriller that exposes true human nature and reveals just how far we’re willing to go to satisfy our needs.

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Madea jumps into action when her niece, Shirley, receives distressing news about her health. All Shirley wants is to gather her three adult children around her and share the news as a family. But Tammy, Kimberly and Byron are too distracted by their own problems: Tammy can’t manage her unruly children or her broken marriage; Kimberly is gripped with anger and takes it out on her husband; and Byron, after spending two years in jail, is under pressure to deal drugs again. It’s up to Madea, with the help of the equally rambunctious Aunt Bam, to gather the clan together and make things right the only way she knows how: with a lot of tough love, laughter … and the revelation of a long-buried family secret.

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Sandra Brown’s “Smoke Screen” follows newswoman Britt Shelley (Jaime Pressly), who shockingly wakes up in bed next to the dead body of Detective Jay Burgess and is suspected of foul play. Five years prior, Jay’s lifelong friend Raley Gannon (Currie Graham) also woke up next to a dead body. After learning of Britt’s scandal and the similarities between their two cases, he realizes she might be his only chance for vindication. As the two unravel their mysterious cases together, they find themselves caught in a dangerous political cover-up involving arson and murder.

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A thrilling and wildly entertaining film, THE TROLL HUNTER delivers truly fantastic images of giant trolls wreaking havoc on the countryside, with darkly funny adherence to the original Norwegian folklore.

A group of students investigates a series of mysterious bear killings, but learns that there are much more dangerous things going on. They start to follow a mysterious hunter, learning that he is actually a troll hunter.

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Outstanding Werewolf Romance – Beautifully Directed and Definitely Worth Watching! An awesome horror/ occult movie!

In Bucharest, Romania, the orphan Vivian was raised by her aunt after losing her parents ten years ago in the Rocky Mountains, Colorado. His family belongs to a bloodline of werewolves and Vivian is promised to the leader of the pack, Gabriel. When the American cartoonist Aiden, who is researching werewolves for his publisher for the next edition of his magazine, meets Vivian, they immediately fall in love for each other. However, the evil son of Gabriel and Vivian’s cousin Rafe poisons Gabriel about the love of Vivian, forcing her to choose between her bounds with her family and her passion for Aiden.

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Chinese-style martial arts master So Chan is a wealthy man of the Qing Dynasty (1644-1911) obsessed with Kung Fu. He falls from grace to become a beggar after he and his family became the victims of conspiracies. However, after reviewing his past and working hard to transform his life, and now honored as “King of Beggars”, he rises again as a Kung Fu legend, patriot and folk hero.

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One day, a dying Sifu flees from the Imperial City to a small village. He’s being hunted and is on his last dying breathe. He is found by a humble farmhouse cook named Tu who, at the request of the dying Sifu, must return a very important Kung Fu Academy Tablet to the Sifu’s daughter Moli in the imperial city. Tu made a simple promise that turns out to change his life forever.

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Sci-fi writer Sakutaro (Tsuyoshi Kusanagi) and bank employee Setsuko (Yuko Takeuchi) has always been together and eventually married. One day, Setsuko complains of a stomach ache and is hospitalized. Sakutaro then learns that his wife has colon cancer. Sakutaro takes the advice from his doctor that laughter helps the immune system and proceeds to write a short story for his wife every day. At first, Setsuko was expected to live for only 1 more year, but she lived for 5 more years and Sakutaro eventually wrote 1,778 short stories for his wife.

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Owing a big debt, Cherry is brought to an underground factory, where severe criminals and illegal immigrants are kept. Cherry is assigned to work with a group of girls. If anyone breaks the rule, she will be brought to the supervisor, tortured and sexually abused. Actually Cherry comes to find her lost boyfriend who investigate the secret behind the factory. To uncover the conspiracy and save her boyfriend, Cherry has to sacrifice her body…

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Lance Preston and the crew of “Grave Encounters”, a ghost-hunting reality television show, are shooting an episode inside the abandoned Collingwood Psychiatric Hospital, where unexplained phenomena has been reported for years. All in the name of good television, they voluntarily lock themselves inside the building for the night and begin a paranormal investigation, capturing everything on camera. They quickly realize that the building is more than just haunted – it is alive – and it has no intention of ever letting them leave. They find themselves lost in a labyrinth maze of endless hallways and corridors, terrorized by the ghosts of the former patients. They soon begin to question their own sanity, slipping deeper and deeper into the depths of madness, ultimately discovering the truth behind the hospital’s dark past…and taping what turns out to be their final episode.

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In striking visual detail, The Codes of Gender explores Goffman’s central claim that gender ideals are the result of ritualized cultural performance, uncovering a remarkable pattern of masculine and feminine displays and poses. It looks beyond advertising as a medium that simply sells products, and beyond analyses of gender that focus on biological difference or issues of objectification and beauty, to provide a clear-eyed view of the two-tiered terrain of identity and power relations.

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Four beauty pageant contestants, who are vying for the coveted title of “Miss Manila Sunshine”, set sail on a yacht. They ended up stranded on a deserted island after their vessel got caught up on fire. Together with an attractive young man, a maid and the gay pageant director, the four ladies found life “anything but dull”.

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