A star chef heads to Ireland for a major culinary event with her new love, only to find her much-younger ex there too. As they work side by side with their current partners, old feelings resurface, challenging their hearts and careers.

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Given the opportunity to participate in a life or death reality game show, one man discovers there’s a lot to live for.

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Chase (Adam Langton) is a man who is losing his struggle to come to terms with the tragic loss of someone close to him. Time slips away as he barely exists, spending most of his days at his mind numbing job of editing adult movies. Circumstances lead him to meet a girl named Valentine (Gwenlyn Cumyn), who is definitely not your average call girl. Of course, she has a rather dark past and before he knows it, Chase in involved with not only Valentine but all the skeletons in her closet as well.

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Action buffs will have a fine time with the spray of bullets, shattering glass, and pyrotechnic explosions that makes up the bulk of Assault on Precinct 13. This high-concept thriller is mostly a brutal non-stop kill-fest, and is very happy with itself for being so efficient in both categories.

A decrepit police station on its last night before retirement – New Year’s Eve, no less – plays unexpected home to a gang of criminals who become snowbound in the basement lockup. Another mysterious gang of people who stealthily gather in the blizzard outside want one of the particularly nasty criminals (Laurence Fishburne) dead, and they’ll take the rest of the precinct down too, by golly. The odd lot of characters trapped inside include a burned-out sergeant (Ethan Hawke), a sexpot secretary, an even sexier police psychologist, and various other good guys and bad guys who variously go down in blazes of guts, glory, bullets, and fire. Hawke and Fishburne are opposite sides of the coin: the law, and the bathroom scale. Their need to partner in order to survive the guns outside is the movie’s moral conflict, and both actors chew on Precinct 13’s peeling walls and scuffed floors to drive the point home every chance they get in an industrial section of Detroit for the climactic showdown.

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Los Angeles is under attack by monsters. The mechs attempting to fight them off are better armed than their precursors, but so are the creatures.

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Jared Cohn directs this ‘mockbuster’ that bears a striking resemblance to the big budget summer 2013 film ‘Pacific Rim’. When an influx of terrifying monsters begin encroaching on the human world, apparently having emerged from the depths of the Atlantic ocean, a grave threat is posed to the established order of life on Earth. With the very survival of humanity at stake, a specialist team are sent to combat the monsters in giant robots previously untested on the battlefield. Graham Greene, David Chokachi and Jackie Moore star.

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Directed by six-time Academy Award nominee Peter Weir, THE WAY BACK is an epic story of survival, solidarity and indomitable human will. Shot in Bulgaria, Morocco and India, the film stars Jim Sturgess (Across the Universe, The Other Boleyn Girl), Ed Harris (Appaloosa) and Colin Farrell (In Bruges) as prisoners of a Soviet Union labor camp, who, along with four others, flee their Siberian Gulag and begin a treacherous journey across thousands of miles of hostile terrain. Academy Award (R) nominee Saoirse Ronan (Atonement, The Lovely Bones) and Mark Strong (Body of Lies, RocknRolla) co-star.

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In the year 2057, a greedy CEO takes control of the Earth, and it’s up to his rebellious daughter and a cyberpunk hacker to save mankind.

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Josie Hughes is a hopeless romantic who believes in the kind of romance in black-and-white movies where the leading lady finds her one true love and gets swept off her feet. She also believes the wedding bouquet always finds its way to the right person when tossed by the bride, as proven time and again at weddings dating back to her childhood. But single Josie ends up with the bouquet at her friend Emma’s wedding instead of their not-single friend Athena and fears she’s wrecked her chances of getting engaged. But when Josie begins dating eligible bachelor Will after meeting at the reception, she decides the bouquet is responsible for the budding romance and begins to think that Will is “the one.” As Josie clings to the notion that the bouquet is always right, she’s missing the real-world signs that her perfect match is someone else who’s been right in front of her all along. Starring Chaley Rose and Nathan Witte.

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Luke and Kate are co-workers at a Chicago brewery, where they spend their days drinking and flirting. They’re perfect for each other, except that they’re both in relationships. Luke is in the midst of marriage talks with his girlfriend of six years, Kate is playing it cool with her music producer boyfriend Chris. But you know what makes the line between “friends” and “more than friends” really blurry? Beer.

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A unique historical chronicle of the enduring love affair between The Beatles and India that started more than half a century ago. Rare archival footage, photographs and eye-witness accounts, along with location shoots across India, bring alive the fascinating journey of George, John, Paul and Ringo from their high-octane celebrity lives in the West to a remote Himalayan ashram in search of spiritual bliss – a time that inspired an unprecedented burst of creative songwriting. This is the first serious exploration of how India helped shape the evolution of the iconic band, and how they helped bridge two vastly different cultures.

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On Feb 24th, 2018, a video titled ‘The Resurrection Man’ was uploaded to Youtube by an anonymous user. The video purported to show actual evidence of demonic possession as captured during an unauthorized exorcism. In less than 72 hours, the video received more than 8 million views. The 61 minute video drew instant criticism and complaints claiming that what it actually showed was the abuse and torture of a mentally ill man by members of his church. The video was removed by Youtube for violating their content agreement. This documentary examines the 61 minute video known only as ‘The Resurrection Man’.

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