What a WINNER! Haven’t seen a crime thriller this good in ages, with such fast moving pace but excellent character development at the same time.

Siblings Addison (Eric Bana) and Liza (Olivia Wilde) are on the run from a casino heist gone wrong. When a car accident leaves their wheel man and a state trooper dead, they split up and make a run for the Canadian border in the worst of circumstances – a near whiteout blizzard. While Addison heads cross-country, creating mayhem in his wake, Liza is picked up by ex-boxer Jay (Charlie Hunnam), en-route for a Thanksgiving homecoming with his parents, June (Sissy Spacek) and retired sheriff Chet (Kris Kristofferson). It’s there the siblings are reunited in a terse and thrilling showdown that pushes the bonds of family to the limit.

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1893, the Australian Outback. The area is rough, the people hard-nosed, the law rather secondary. Here, women – and newcomers anyway – quickly become the pawn of men. Even Nate Clintoff, who is new in town to keep law and order, still has to fight for his place in the hierarchy. Molly Johnson, heavily pregnant and alone with her children on a farm far from town, knows her place only too well. Nevertheless, she doesn’t let it get her down. She does everything to protect her children. Everything.

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An intimate look at Steve McCurry, best known for his famed photograph ‘Afghan Girl’, who has braved hardship and personal risk over his 40-year career to create some of the most enduring images of our time.

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In the winter of 1982, three American boys find themselves stranded in a cable car with a dead body, suspended midair in the mountains of Norway during a rare celestial event.

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Sisters Tracy and Lena are sleeping with each others husbands, Von and Alex. The punishment is worse than the crime when all become entangled in more than just lies and deception, but also murder.

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a student at Riverwood High School, plays the drums in the school band but dreams of playing in a dance band. He and his “gal” Mary Holden sell the school principal on the idea of forming a dance orchestra and putting on a dance to raise money. The principal is initially doubtful but then agrees to buy the first ticket. The event is a success, and the school’s debt for the instruments is paid off.

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The all-female Heroic Trio are Tung (Wonder Woman), Chat (Thief Catcher), a mercenary, and Ching (Invisible Woman). Initially, they’re on opposing sides – the invisible Ching is kidnapping newborn male babies for her evil master, Tung is trying to solve the crime (rather more effectively than her policeman husband, who is unaware of her secret identity), and Chat, who was formerly employed by Ching’s evil master, is trying to sell her services and inside knowledge to the police. But all three have something in common buried deep in their past…

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Lord Rayden (Christopher Lambert) has rescued them, but he cannot fight for them. They – a martial artist, an action film star, a soldier – are the chosen three. And while the world’s fate rests on their shoulders, the rest of us can enjoy the thrills as they compete to save us all in the body-slamming, mystical-tinged, full-tilt spectacle of creatures and conflict that is Mortal Kombat. Paul Anderson (Resident Evil: Afterlife) directs this astonishing and trend-setting experience that showed how to turn a smash-hit video game into a movie smash. Cheer these intrepid three Kombatants – they’re fighting for you!

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After a harrowing event that nearly kills Claudia, she and her husband try their best to move on. Claudia and Marcus then hire a new mid-wife to assist.

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In 1980s Vienna, a dissident artist’s life is turned upside down when her estranged partner reappears after prison, prompting a perilous journey back to Czechoslovakia that threatens her newfound family.

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A teen girl is diagnosed with a reproductive condition that upends her plans to have a sex life, propelling her to explore unusual methods. Her relationships are challenged with everyone in her life, but most importantly, herself.

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A homeless man is found floating in a suburban couple’s backyard pool. As the husband and wife offer conflicting accounts of what happened, the night replays in shifting, Rashomon-like fragments – a slow-motion squeeze of a trigger that exposes a troubling story of identity, community, love, and betrayal.

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