
Driving, lost and tormented in the night, primal fears of the dark and the unknown give way to fear that you have let the evil in, or that it is already there.

Driving, lost and tormented in the night, primal fears of the dark and the unknown give way to fear that you have let the evil in, or that it is already there.

With the rapid development of science and technology in the future, a Gene Research Company sent Shen Yiqin and others into the mysterious snowy area on the edge of the Arctic. Unexpectedly, they were attacked by unknown giant creatures.

A pair of players on a successful high school baseball team, the Giants, come of age in the American South.

A quiet and honest physician, Wong Kei-Ying avoids conflict and focuses on saving lives. His medical ethics are of utmost importance – above any conflict in value, politics or power. Pretending to fight a local opium gang, the new governor of Canton, the ruthless and treacherous Wei, fools Wong into helping him. In reality, Wei just wants to control the business to keep all the profit for himself. When Wong finally finds out the truth, it is almost too late. Wei captured and tortured Wong’s mentor and teacher, forcing him to become addicted to opium. Desperate to save his teacher, Wong agrees to help Wei to purify the opium to make even more profit. Secretly, he tries to find an antidote to the addiction but inadvertently gets himself addicted. Before he dies, the teacher passes on the illustrations of the legendary Shadowless Kick to Wong. With help from his family and friends, Wong fights the addiction and masters the Shadowless Kick to expose Wei.

Arthur, who suffers from OCD, has spent the last few months spending time with Helen — but he doesn’t know where he stands with her. Are they friends? More than friends? Or potentially more than friends? With the help of his vivacious next-door-neighbor Vivien, Arthur assembles the courage to ring Helen to find out once and for all where he stands with her. Only one problem: Helen doesn’t answer. And so begins a long night of tossing and turning where Arthur, whilst adopting a variety of methods in an attempt to get to sleep, reflects on the time he has spent with Helen and dissects every moment of their time together to determine whether she is legitimately interested in him or not. Whilst in this deep reflective analysis, Arthur bickers with his opposing inner-voice(represented by another actor), who is extremely opinionated on this particular night. For many of us, trying to fall asleep can be a painfully frustrating experience. For when we struggle to sleep perhaps it is the one …

Stewart McBain (Coleman) is a real-estate mogul who spends his living blowing up old buildings to make room to erect new buildings. All goes as planned for a new subdivision, until a group of protesters object to the destruction of one lonely, ugly building, called the Dutch House. Typically, the media is sent to the scene of the protest, and McBain appears on TV in a bad way. His children – Daphne (Thurman), Chloe (Amis), and Jimmy (Hewlett) – ridicule him for appearing on TV, and as a reward for their remarks, he drops them off at the Dutch House with $750 apiece, and tells them they’re on their own. They must find jobs if they expect to make money to stay warm. McBain and his wife Jean watch from afar as their children adapt to their new lifestyle, meeting new friends, and inviting others into their new home, including a decrepit bum.

A developer relocates to a remote island with his family, where the cursed land takes over his soul and makes him a killer.

Marcie and Mickey Haines are 16-year-old athletic twins. They’re inseparable, leaving their mother, Leonore, feeling excluded. On the day of an important race for Marcie, Michael is hit by a car and killed. The next morning she wakes to find the house full of mourners, talking about Michael in the past tense.

Two documentary filmmakers attempt to penetrate a cult who worships a woman who claims to be from the future.

When Julie’s husband dies, she moves cross-country to rebuild her life with son Matty and build a closer relationship with her late husband’s sister, Alison. Yet Alison blames Julie for her brother’s death and has a plan to become Matty’s mother – no matter who gets hurt in the process.

When a cosmic event turns Emma’s dog and cat into two perfect guys, Emma reconsiders her outlook on dating, hilariously works out her trust issues, and ultimately learns to love herself.