They call him the In-and-Out-Bandit because meticulous thief Tom Carter (Liam Neeson) has stolen $9 million from small-town banks while managing to keep his identity a secret. But after he falls in love with the bubbly Annie (Kate Walsh), Tom decides to make a fresh start by coming clean about his criminal past, only to be double-crossed by two ruthless FBI agents.
A young woman living with bipolar disorder struggles to honor her grandfather’s last wish while attempting to reunite with her estranged 12-year-old daughter.
The Terrestrials takes place in the near future. In this new age, a device exists that allows psyches to meet in a minimal space to have safe, efficient, and anonymous sexual encounters (think Tinder for your brain). “That was the beauty of the machine, you could be one of two stars colliding for a moment.” Lucy, our protagonist, is a reserved scientist who has recently been left by a long-time lover. To cope, she uses the device to satisfy her longings for temporary lust and affection. One day, while using the device, the server crashes, leaving Lucy stranded in the virtual world with the challenging, cheating Will, who she’s just had sex with. It’s only then that Lucy relearns intimacy, touch, and connection.
There is no one left to protect us from what lurks in the dark. No one is coming to save us. THE MONSTERS HAVE WON. Our world now belongs to them. The Vatican’s last line of paranormal defence The Congregation has finally been overrun by the supernatural forces of darkness. Our heroes are all dead; only the damned remain. Among them is Alberic Van Helsing addict, murderer, survivor and the creatures that were once his prey now hunt him across America. But when an apocalyptic evil is resurrected in the forests of Norway, it falls to Van Helsing to become the hunter once again if mankind and monster alike are to see the dawn. Van Helsing’s quest for salvation and survival takes him through the ruins of a neogothic Europe, where he must face the vampire queen of the Vatican, a man-made monster with the heart of a storm, the lycanthropic lord of the forest, the mummified ruler of the slums of Cairo, and the crazed vampire demi-god who threatens to devour them all.
Hopeless romantic but eternally single LA journalist Natalie (Nina Dobrev) thinks things are beginning to look up when she swipes right on a dreamy guy from the East Coast, Tag (Darren Barnet). Taking a leap of faith she jumps on a flight to surprise her crush for the holidays, only to discover that she’s been catfished by Tag’s childhood friend who is equally unlucky in love, Josh (Jimmy O. Yang). This lighthearted romantic comedy chronicles her attempt to reel in love.
Two estranged brothers who are reluctantly reunited in their remote hometown at their father’s funeral, become the target of an extortion scam at the hands of a gang of violent local thugs.
When Riley’s boyfriend, Mandla, invites her to South Africa to meet his family, she is shocked to discover that he is a prince. The news puts Riley’s trust in Mandla in jeopardy, and he must do what he can to win her love back.
A small California desert town is being stalked by a motiveless psychopath who roams its streets killing at random. Captain Peters and his small police force are on the case searching for his whereabouts before he kills again.
A customer service agent working from home is terrorized by a dissatisfied psychopathic caller.
Brian Jones, Jimi Hendrix, Janis Joplin and Jim Morrison all died at the age of 27 between 1969 and 1971. At the time, the coincidence gave rise to some comment, but it was not until the death of Kurt Cobain, about two and a half decades later, that the idea of a “27 Club” began to catch on in public perception, reignited with the death of Amy Winehouse in 2011. Through interviews with people who knew them, such as music stars, critics, medical experts and unseen footage, the lives, music, and artistry of those who died at 27 are investigated with a bid to find answers.
A man risks it all in the streets for fake love. After trying to save a woman from being attacked, he winds up behind bars.
A supporting character in her own life, Sabrina Stone dreams of being a respected playwright and theatrical star; someone confident and beloved, someone like Elodie, the main character of her fictional play. When she gets the chance to perform her piece for a large audience, she cracks under the intense personal and artistic pressure, humiliating herself and her peers. As issues in her own life begin to reflect those of her story, Sabrina is visited by Elodie herself, who transports her into the surreal world of her own writing. Romance, kidnapping, murder, and a mystical object that grants one’s greatest desire are all in play when fiction becomes a reality. Sabrina must navigate the dark and moody landscape she created, save her characters from the problems she gave them, and come to terms with the person she wants to be.
