When an infamous “cursed” Egyptian sarcophagus falls into the hands of unscrupulous huckster Everett Randolph, he becomes obsessed with resurrecting the mummified princess held within it.

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Once a renowned director, Haskell Edwards has wallowed in a self-inflicted haze of drug and alcohol abuse for nine years. This has been his life since witnessing the suicide of his one true love, Cello Shea, an iconic young film star. When a cutting edge tech-company approaches Haskell to direct a film about Cello’s life, he is stunned to meet the actress who will portray her – an incredibly life-like robot. Horrified and fascinated at the same time, he can’t turn down the opportunity to honor his lost love’s memory and repair her suicide-tarnished legacy. Recruiting his old friends, and even some enemies, in the production, Haskell has to relive his relationship with the Hollywood sex symbol. Ultimately, he’s forced to address the differences between his love for Cello, and his growing obsession with a machine that… is nothing more than a programmed doppelgänger.

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A husband and wife ghost-hunting team, still mourning the loss of their daughter, encounter her in their latest assignment.

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Diggsy Ellston has been in love with Suzette Larking since he was a boy. When Suzette gets married to another man, Diggsy meets a stranger who offers him an unbelievable gift: the unusual possibility of finding another Suzette. This offering comes in the form of a key that opens doors into parallel universes. Universes where other versions of Suzette may not only exist, but where one of them could even possibly love him. Sounds magical, but there’s one major catch: Once Diggsy uses the key, he can’t go back; he will forever leave everyone and everything he has ever known. Diggsy’s hesitation lies in the strong bond he shares with his sister, Daphne, but he justifies his decision to leave on the belief that she wants him to move on in life. With every new universe comes a new decision: Stay or leave? Settle or keep chasing the dream of finding a Suzette who will love him? Diggsy’s journey is filled with comedy, heartbreak, adventure, and a heavy dose of fish out of water.

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At last, we’re given the answers to the questions raised by the haunting 1967 Bobbie Gentry song of the same title. Eighteen- year-old Billy Joe McAllister is in love with Bobbie Lee, but her father refuses to allow her to receive gentlemen callers before she’s sixteen. In the Mississippi Delta, in a time before the boondocks had seen television and indoor plumbing, a young man’s fancy turns constantly to thoughts of love. Billy Joe is no different in this regard and his persistence is making it difficult for Bobbie Lee to maintain her virtue (the dog-earred issues of “Torrid Romance” don’t help either). Perhaps an indictment of the artificial conventions of society, the film demonstrates the tragic consequences of a young couple’s first awkward grapplings with love and sex. As Bobbie Lee says shortly after Billy Joe’s lifeless body is dragged from the Tallahatchie River, “What do I know of love… I’m only a child.” Yet, there seems little doubt that what she feels for the dead boy …

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An elderly couple regain their youth in the rain.

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A disoriented and frightened man awakens in a hospital room to discover he’s the recipient of a full face transplant. Plagued by weird flashbacks, no memory and no visitors, he is unprepared when they release him from the hospital. When a mysterious red- haired woman, Sophie, befriends him, life gets even weirder. Suddenly a hooded man stalks him, his friends abandon him, and strangers give him odd looks. Distraught he goes out drinking only to end up in an altercation with a man – who has no face! Now he must investigate what has happened and who is stalking him before it’s too late…

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Behind every statistic is a story. Three inner-city youth growing up in Milwaukee struggle with the daily dilemma of growing up Black and avoiding becoming just another statistic.

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Ike Graham has his own by-lined column in USA Today, which he usually uses as a forum to rail against the opposite sex. For his latest column which he writes at the last minute as usual, he, based on some information from a stranger in a bar about a woman he knows of back home, includes the story of still single Hale, Maryland residing Maggie Carpenter, who is known as the “Runaway Bride” since she has been engaged multiple times, but always leaves her betrothed standing at the altar. Because an incensed Maggie complains to the newspaper for factual inaccuracies in her story, Ike is fired, but he realizes that the story still has some life in it and thus decides to go to Hale to do further investigation.

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Kristin Baker returns home to her family, after news of her mother’s death. She’s instantly reminded why she left town, as she runs into her troublesome siblings, each seemingly with a bone to pick. Once their uncle’s old bar is up for grabs, the siblings must sort out their differences, if they’re to have a chance to run the bar together.

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Talent and passion for music can take one to the very top. On the way, however, there are going to be showbiz traps. There is money, fame and fan crowds involved. Will a young girl be able to fight for her dreams in this no-holds-barred world where fame is so elusive? A controversial talent show called “Music Race” keeps looking for talented singers all over the country. The decision on who will be started-up for a career and who will get a cold shower is always up to the three jurors: a once-popular singer, Olo (Maciej Zakoscielny), social media queen, Ewa (Julia Kaminska), and the dame of Polish jazz, Urszula Dudziak (playing herself). During an audition held in Olo’s home town, there is a row. The person who starts it is “Ostra” (played by Katarzyna Sawczuk). The rebel teen is outraged by the juror’s arrogant and dismissive behaviour towards her mother (Anita Sokolowska). The small scandal suits the show’s producer (Tomasz Karolak), who pushes “Ostra” through to the next stage. …

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Eight-year-old Jenny (Violet McGraw) is constantly caught in the middle of the feuding between her lawyer mother Maggie (Mamie Gummer) and artist father Jeff (Rupert Friend). She leads a lonely but imaginative life, surrounded by puppets called “Grisly Kin,” which are based on the works of her father. When Maggie is tragically killed in a hit-and-run, Jeff and Jenny try to piece together a new life. But when Maggie’s father (Brian Cox) sues for custody, and babysitter Samantha (Madeline Brewer) tries to be the new woman of the house, life in their Brooklyn town home takes a dark turn. The puppets and frightening characters come to life and Jenny is the only person who can see them. When the motives of the ghoulish creatures become clear, the lives of everyone are put very much in jeopardy.

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