
A deranged serial killer known as “Clownface” terrorises the residents of a small town.

A deranged serial killer known as “Clownface” terrorises the residents of a small town.

Charly (Nzingha Milu-Beatris Ashford) and Anika (Shantelle Lee Cuevas) are volleyball rivals from opposing teams. Every year, the two teams pull pranks on each other, but things start to get out of hand when Anika’s volleyball partner is found dead. As the season moves forward, Charly becomes the target of some extreme pranks with all signs pointing to Anika as the culprit. But Charly’s own teammates seem suspicious too. Charly only trusts her new friend, Becky (Anna Marie Dobbins), the team’s intern. When Anika and Charly find themselves tied up in a cabin together, the two rivals must figure out who exactly has been coming for them. In a surprise twist, Charly discovers that Becky is Anika’s longtime fan-turned-friend and has been orchestrating everything to help get Anika to be the #1 volleyball player.

A widowed mother’s first date in years takes a terrifying turn when she’s bombarded with anonymous threatening messages on her phone during their upscale dinner, leaving her questioning if her charming date is behind the harassment.

Sean and Eric are just two bumbling screenwriters drafting the “next big action flick”, utterly oblivious to the insanity that awaits when the government intercepts their script, believing it to be a veritable terrorist plot.

Lady Diana Spencer was one half of the highest-profile courtship the British royal family had seen in decades. The wonder of Diana, and her style, stemmed partially from how noticeable she was from the very beginning. As she was culled from relative but distinguished – albeit aristocratic – obscurity and introduced as a princess-to-be, the cameras were consistently there. The paparazzi hounded her in London following the rumours of her involvement with the heir apparent. When she joined the family, Diana was the glamorous and alluring new member of the royal press pack. The constant media coverage propelled her into a new sphere of notoriety, one that any royal before or after would ever experience. It wasn’t only individuals she shook hands with who felt near her; anyone drinking their tea and enjoying their morning paper could as well. Diana’s status as Charles’s bride would have earned her a place on the front page regardless. But her clothing kept her there, day after day. At 5ft 10 inches tall, Diana was model-like in her stature, at turn dazzling and demure. When in public, Dianna would always reach into a crowd, embracing strangers with enthusiasm. She was emotional, expressive, and most of all, available – all qualities that up to this point, the royal family had not been.

Based on Rosalie Ham’s best selling novel, The Dressmaker is the story of femme fatale Tilly Dunnage who returns to her small home town in the country to right the wrongs of the past. A stylish drama with comic undertones about love, revenge and haute couture.

A freewheeling comedian determined to save her family business invites an uptight entrepreneur on a road trip to sell a van with a complicated history. Romance ignites on their three day trip south, but is tested as they discover each other’s secrets. When the van sale deteriorates, they must decide if their very new connection is worth more than a very old van.
Brutal and compelling revenge film! If you turn away from the movie after the very hard and maybe even too explicit beginning, you will miss out on the why. With Red, White & Blue, director Simon Rumley crafts a formidable “trip through the darkest corners of the American psyche”

Erica drifts through the bars of Austin going from one sexual partner to another, never connecting emotionally. That changes when she meets Nate (Noah Taylor, “Shine,” “Almost Famous”), a discharged Iraqi vet who is more interested in being Erica’s friend than her latest conquest. A strong bond of friendship develops between them, but Erica’s background intrudes in the form of Franki, a wannabe rock star whose sudden presence sets the stage for a shocking conclusion.

Violence and mayhem ensue after a smuggler escapes with a rare Ife bronze head into a gritty western Nigerian town.

Kathryn, a struggling actress and unfulfilled housewife, becomes involved with her new gardener, Ben. As he gives her the attention and sensitivity she craves, they start to fall for each other. But Ben is not what he seems.

When the spaceship Vertigo stops to explore a previously unknown planet, the crew finds an unrecognized dollop of protoplasm and takes it aboard ship to return it to earth for analysis. On board, lifeform expands into an oozing person-eating monster which communicates primarily by means of a Vegas lounge act. The crew is gobbled up one after another until the two surviving crewmembers come up with a plan.

A computer hacker penetrates Vatican security and sends an urgent anonymous plea to the pope. Handsome Father Quart, of the church’s Institute of External Affairs, an arm of the Vatican intelligence, is dispatched to investigate. The message of the hacker concerns a crumbling 17th century Baroque church in the heart of Seville that apparently “kills to defend itself”.