Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the yet fragile German democracy. The radicalised children of the Nazi generation lead by Andreas Baader, Ulrike Meinhof and Gudrun Ensslin are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold. And while he succeeds in his relentless pursuit of the young terrorists, he knows he’s only dealing with the tip of the iceberg.

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Sully is a rascally ne’er-do-well approaching retirement age. While he is pressing a worker’s compensation suit for a bad knee, he secretly works for his nemesis Carl, and flirts with Carl’s young wife Toby. Sully’s long-forgotten son and his family have moved back to town, so Sully faces unfamiliar family responsibilities. Meanwhile, Sully’s landlady’s banker son plots to push through a new development and evict Sully from his mother’s life.

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Can I ask you a question? How may customers do you have? If you said “none” or “not enough”, this course is for you. In this course, we’re going to focus on how YOU can take any product, service, or business and sell it to 10s, 100s, or even 1,000s of customers.

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A young boy is determined to spend more time with his parents and attempts to behave badly enough to drive off potential babysitters, but he may have met his match in a prison guard-turned-sitter.

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Hammer House of Horror is a British television series made in 1980. An anthology series created by Hammer Films in association with Cinema Arts International and ITC Entertainment, it consists of thirteen 51-minute episodes, originally broadcast on ITV. Each self-contained episode features a different kind of horror. These vary from witches, werewolves and ghosts to devil-worship and voodoo, but also include non-supernatural horror themes such as cannibalism, confinement and serial killers.

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An egocentric businessman awakens deep in the woods to find he has been abducted by a subversive group of bloodthirsty vampires disguised and living among us. He must not only escape their clutches, but save his beloved girlfriend before time, the truth, and his kidnappers catch up with him.

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Eddie Garrett agrees to watch a duffel bag for an acquaintance who is heading to prison. When he discovers cash in the bag, he’s unable to resist the temptation and winds up deeply in debt. When the prison release is shortened, Eddie suddenly has a small window of time to win all the money back.

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The Sweet Life, an edgy and unconventional dramedy, is the love story of Kenny Parker and Lolita Nowicki, each struggling with their own brand of demons, who first meet by chance in Chicago and form a pact to travel across country to the Golden Gate Bridge to commit suicide… together.

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Det. Michael Rivers is missing; farmer Ted Granger (Virgil Franklin) is dead; Rebecca Watson (Tara Bixler) has made it home, but her friend Alice (Autumn Reed) has been taken. Now, Det. Nick Fisher (Doug Wasnidge), the only surviving officer from the police station killing, must enlist the help of veteran police officer John Donovan (C.A. McGregor) and kindly local physician Edward Lundberg (Dan Turpen) to locate Alice and devise a way of sending the spirit of “the Engineer” back to the underworld.

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Sandra Larson has always been fascinated by the entire sensory experience surrounding death: its touch, smell and look. As a child, she would search out dead animals and perform ritualistic burials. As a young woman, Sandra gets a job at Wallis Funeral Home, first as a general assistant, then progressing to study to become an embalmer. At the funeral home, she begins to take her fascination with death to the next level by becoming a necrophiliac. But she also begins her first ever relationship with Matt, a medical student, with who she is totally open about her necrophilia. He finds this aspect of her compelling. He becomes all consumed with her as she is consumed with dead people. The questions become how far he will take this fascination with her to understand fully what is going through her emotional being, how far she will allow him to go, and how far can her feelings for him extend as a live being.

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BURNING tells the story of three individuals and a mysterious incident they experience. Jongsu bumps into an old friend, Haemi, on a part-time delivery job. Haemi asks Jongsu to take care of her cat while she leaves on a trip to Africa. When she returns, Haemi introduces Jongsu to Ben, a man she met in Africa. One day, Ben and Haemi pay Jongsu a visit, and Ben reveals his secret interests to Jongsu.

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Cybill is a comedy revolving around Cybill Sheridan, a working actress in Los Angeles with a stop-start career, complicated by an eccentric extended family that includes two daughters and a couple of ex-husbands. Her best friend, Maryann Thorpe, is a rich-by-settlement divorcee with a twisted sense of humor, who is a certified alumna of the Betty Ford Clinic (but in need of a refresher course). Cybill’s elder daughter, Rachel, is conservative, married, has one child – and is Cybill’s polar opposite. Cybill’s live-in daughter, Zoey, is a brooding 18-year-old.

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