Diggsy Ellston has been in love with Suzette Larking since he was a boy. When Suzette gets married to another man, Diggsy meets a stranger who offers him an unbelievable gift: the unusual possibility of finding another Suzette. This offering comes in the form of a key that opens doors into parallel universes. Universes where other versions of Suzette may not only exist, but where one of them could even possibly love him. Sounds magical, but there’s one major catch: Once Diggsy uses the key, he can’t go back; he will forever leave everyone and everything he has ever known. Diggsy’s hesitation lies in the strong bond he shares with his sister, Daphne, but he justifies his decision to leave on the belief that she wants him to move on in life. With every new universe comes a new decision: Stay or leave? Settle or keep chasing the dream of finding a Suzette who will love him? Diggsy’s journey is filled with comedy, heartbreak, adventure, and a heavy dose of fish out of water.

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At last, we’re given the answers to the questions raised by the haunting 1967 Bobbie Gentry song of the same title. Eighteen- year-old Billy Joe McAllister is in love with Bobbie Lee, but her father refuses to allow her to receive gentlemen callers before she’s sixteen. In the Mississippi Delta, in a time before the boondocks had seen television and indoor plumbing, a young man’s fancy turns constantly to thoughts of love. Billy Joe is no different in this regard and his persistence is making it difficult for Bobbie Lee to maintain her virtue (the dog-earred issues of “Torrid Romance” don’t help either). Perhaps an indictment of the artificial conventions of society, the film demonstrates the tragic consequences of a young couple’s first awkward grapplings with love and sex. As Bobbie Lee says shortly after Billy Joe’s lifeless body is dragged from the Tallahatchie River, “What do I know of love… I’m only a child.” Yet, there seems little doubt that what she feels for the dead boy …

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A disoriented and frightened man awakens in a hospital room to discover he’s the recipient of a full face transplant. Plagued by weird flashbacks, no memory and no visitors, he is unprepared when they release him from the hospital. When a mysterious red- haired woman, Sophie, befriends him, life gets even weirder. Suddenly a hooded man stalks him, his friends abandon him, and strangers give him odd looks. Distraught he goes out drinking only to end up in an altercation with a man – who has no face! Now he must investigate what has happened and who is stalking him before it’s too late…

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Behind every statistic is a story. Three inner-city youth growing up in Milwaukee struggle with the daily dilemma of growing up Black and avoiding becoming just another statistic.

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Kristin Baker returns home to her family, after news of her mother’s death. She’s instantly reminded why she left town, as she runs into her troublesome siblings, each seemingly with a bone to pick. Once their uncle’s old bar is up for grabs, the siblings must sort out their differences, if they’re to have a chance to run the bar together.

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An adaptation of the novel “Frankenstein,” as told through the life of Mary Shelley. As she creates her masterpiece, she gives birth to a monster.

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Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max’s accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? “Springtime for Hitler.”

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Fresh out of foster care at age 18, a young drifter turns to petty crime to survive, and discovers an impossible love in an unlikely friend.

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In the highly anticipated sequel, which was inspired by Steve Harvey’s best-selling book Act Like a Lady, Think Like a Man, all the couples are back for a wedding in Las Vegas. But plans for a romantic weekend go awry when their various misadventures get them into some compromising situations that threaten to derail the big event.

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A rhythm and blues superstar tries to put his life back together after losing everything.

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When Mrs. Call’s heart condition acts up, Tammy tags along in the trip to Los Angeles when the old lady is getting her surgery. Since there are no guest quarters in the hospital, Tammy gets a job in the hospital as a nurse’s assistant. Peter Fonda plays Tammy’s love interest, Dr. Mark Cheswick, while Adam West has a small part as Dr. Eric Hassler. This is the final entry in the canonic film series, and Sandra Dee’s last appearance as Tammy.

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Unemployed and reckless Charlie is addicted to ‘zoots’, drugs that cause memory deterioration, déjà-vus and delusions. He is a ‘zoo-head’. Charlie is forced by his unemployment benefits advisor to attend an experimental rehabilitation program at Infinity, a memory clinic. The program involves memory looping; a zoo-head is looped into a memory of theirs when they were once sober, allowing their mind to regress to its original state and heal any damages. Charlie undergoes the procedure at Infinity but it malfunctions. He dies. Charlie suddenly awakes and discovers that he is reliving the same day over and over again, although his delusions have increased. With help from his girlfriend Megan and tech guru Barton, Charlie rushes to escape repetitions of the loop as the line between reality and memories blur.

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