Since a road accident left him with serious facial and bodily scarring, a former TV scientist has become obsessed by the marriage of motor-car technology with what he sees as the raw sexuality of car-crash victims. The scientist, along with a crash victim he has recently befriended, sets about performing a series of sexual acts in a variety of motor vehicles, either with other crash victims or with prostitutes whom they contort into the shape of trapped corpses. Ultimately, the scientist craves a suicidal union of blood, semen, and engine coolant, a union with which he becomes dangerously obsessed.

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A torn suburban family refuses to heed the warning of an innocent prank left upon them which causes an unknown supernatural force to wreak havoc.

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High-energy hijinks are the stock in trade of the comic actors who carry on like crazy in a dozen madcap movie classics. Beginning in 1958 with Carry On Sergeant, the series (30 films in all) caused giggles galore, first in Britain and then worldwide. A synopsis of just one film from this series is quite telling. Carry On Spying is a spoof on Bond films and features agents James Bind and Ms. Honeybutt battling the Society for the Total Extinction of Non-Conforming Humans (or STENCH). As the marketing from the studio says so cleverly, “The Carry On team pursue STENCH to the bitter end!’’

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A giant crocodile goes head to head with a giant Anaconda. The town sheriff must find a way to destroy the two monsters before they kill the whole town.

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Picking up immediately where Anaconda 3 left off, herpetologist Amanda Hayes finally learns her employer Murdoch’s true colors when he hires a doctor to harvest a fresh supply of blood orchids to experiment with the regenerative nectar on a baby snake in order to seek treatment for his own terminal illness. Amanda is forced to secretly bring together another team of scientists whom face off against a heavily armed squad of Murdoch’s men to steal the coveted orchids before the killer Anaconda hunts both parties down.

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Cancer-terminal tycoon Peter Murdoch’s secret Wexel Hall Pharmaceuticals lab has developed a blood orchid extract cure. To examine why it works optimally in snakes, they also bread a super-anaconda strain. But the original pair escapes, leaving a bloody trail of corpses. Murdoch runs, instructing his staff to clean up. They keep failing and being eaten like unsuspecting locals, some alive, even after enlisting ruthless big game hunter Hammett. The fast-growing pregnant monster sheds its skin, thus disabling the only tracking device.

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A scientific expedition sets out for Borneo to seek a flower called the Blood Orchid, which could grant longer life. Meanwhile, they run afoul of snakes and each other.

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When a documentary crew traveling through the Amazon jungle, picks up a stranded man, they are unaware of the trouble that will occur. This stranger’s hobby is to capture the giant Anaconda snake, and plans to continue targeting it on their boat, by any means necessary.

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A young Italian actress embarks on a self-destructive spree of sex, drugs and other excess while doing some soul searching to find the path for redemption.

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Shaken from the death of her beloved mother, Jessica is forced to visit her estranged Aunt and Uncle’s farm to tie up loose ends in her mother’s will.

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A hopeless romantic (Domhnall Gleeson) thinks he’s found true love with an older woman (Christina Applegate), only to learn that she’s married and their encounter was merely an instrument of revenge against her neglectful husband (Thomas Haden Church). Initially out for blood, the husband finds himself strangely sympathetic to the romantic’s plight. He decides the best way for the two of them to get revenge is by moving in together, cutting her out and living a bachelor’s life.

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Young Danny Madigan is a big fan of Jack Slater, a larger-than-life action hero played by Arnold Schwarzenegger. When his best friend, Nick the projectionist, gives him a magic ticket to the new Jack Slater film, Danny is transported into Slater’s world, where the good guys always win. One of Slater’s enemies, Benedict the hitman, gets hold of the ticket and ends up in Danny’s world, where he realises that if he can kill Schwarzenegger, Slater will be no more. Slater and Danny must travel back and stop him.

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