A woman survives a traumatic night only to find herself in a nightmarish reality when she is unwillingly pulled into the plans of inter-dimensional beings.

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To escape the outback, a young Afghan cameleer falls in with a mysterious bushman on the run with stolen Crown gold.

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Melinda is forced to take a break from classes in order to work and pay for her grandma’s (Becky) hospital bills. As Melinda is leaving the hospital one day, she is struck by a car in a hit and run, leaving her legs permanently paralyzed. With Becky’s health depleting fast, they learn of a surgery that could possibly save her life. Since Melinda is unable to work as much now with her paralysis, she must team up with her best friends Daniel and Jamie, along with Pastor David, to raise enough money for her grandma’s surgery. Melinda learns she must put her faith in Christ, even during the hard times. In the midst of all of this, Daniel works to reconnect with his formerly abusive father, John, who has turned his heart towards Christ.

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Once a renowned director, Haskell Edwards has wallowed in a self-inflicted haze of drug and alcohol abuse for nine years. This has been his life since witnessing the suicide of his one true love, Cello Shea, an iconic young film star. When a cutting edge tech-company approaches Haskell to direct a film about Cello’s life, he is stunned to meet the actress who will portray her – an incredibly life-like robot. Horrified and fascinated at the same time, he can’t turn down the opportunity to honor his lost love’s memory and repair her suicide-tarnished legacy. Recruiting his old friends, and even some enemies, in the production, Haskell has to relive his relationship with the Hollywood sex symbol. Ultimately, he’s forced to address the differences between his love for Cello, and his growing obsession with a machine that… is nothing more than a programmed doppelgänger.

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Three friends discover a mysterious machine that takes pictures 24 hours into the future and conspire to use it for personal gain, until disturbing and dangerous images begin to develop.

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Playing a perhaps semi-fictionalized version of herself, director Gillian Horvat resolutely navigates an inspiring series of comical obstacles, skeptical intimates, and biased industry gatekeepers to get her first feature film off the ground. From a subjectively innocent initial concept that sings to fans of the ‘My Favorite Murder’ podcast-Gillian deftly executes the first in a series of impeccable transgressions with an unyielding allegiance to the Muse that resides within the heart of an unforgivable madness…a quality revered in cinema’s greatest auteurs. Co-opting the rules of a historically exclusive game, I BLAME SOCIETY is both an amusing and alternately disturbing meta-narrative exploring the dark side of artistic vision-articulating the oft-celebrated egregious qualities deemed to be intrinsic to cinematic brilliance.

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Features a bromance with a killer twist.

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When an outbreak of peace threatens rock star Harry Hope’s charity concert, he dispatches his PR consultant to create a fake war story – until the concert, at least.

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Elliot Moore is a high school science teacher who quizzes his class one day about an article in the New York Times. It’s about the sudden, mysterious disappearance of bees. Yet again Nature is doing something inexplicable, and whatever science has to say about it will be, in the end, only a theory. Scientists will bring out more theories, but no explanations, when a more urgent dilemma hits the planet. It begins in Central Park. Suddenly and inexplicably, the behavior of everyone in the park changes in a most bizarre and horrible way. Soon, the strange behavior spreads throughout the city and beyond. Elliot, his wife, Alma, and Jess, the young daughter of a friend, will only have theories to guide them where to run and where to hide. But theories may not be enough.

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A boisterous group of five college friends steal away for a weekend of mischief in an isolated lake cabin, only to be attacked one by one by a deadly killer in the woods for an endless night of terror and bloodshed.

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A Chinese student travels to Seoul in search of his mother, whom he has not seen for fourteen years.

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Eight-year-old Jenny (Violet McGraw) is constantly caught in the middle of the feuding between her lawyer mother Maggie (Mamie Gummer) and artist father Jeff (Rupert Friend). She leads a lonely but imaginative life, surrounded by puppets called “Grisly Kin,” which are based on the works of her father. When Maggie is tragically killed in a hit-and-run, Jeff and Jenny try to piece together a new life. But when Maggie’s father (Brian Cox) sues for custody, and babysitter Samantha (Madeline Brewer) tries to be the new woman of the house, life in their Brooklyn town home takes a dark turn. The puppets and frightening characters come to life and Jenny is the only person who can see them. When the motives of the ghoulish creatures become clear, the lives of everyone are put very much in jeopardy.

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