A Hebrew with an unusual gift of strength must respond properly to the call of God on his life in order to lead his people out of enslavement. After his youthful ambition leads to a tragic marriage, his acts of revenge thrust him into direct conflict with the Philistine army. As his brother mounts a tribal rebellion, only Samson’s relationship with a Philistine seductress and his final surrender – both to the Philistines and to God – turns imprisonment and blindness into final victory.
The traditional holiday romance movie, from the writer of You Light Up My Christmas and the director of The Christmas Bow, gets a little more fun this year with a spin from co-writers Vince Vaughn (Couples Retreat) and Dan Lagana (“American Vandal”). In Christmas with The Campbells, when Jesse gets dumped right before the holidays by her boyfriend Shawn, his parents convince her to still spend Christmas with them, and Shawn’s handsome cousin, while Shawn is away.
An evil snowman comes to life threatening to shut down as toy store. Scooby and the gang to the rescue
Kai and Gerda live in a cozy quiet town, suddenly the Icy Spirits come there to freeze everyone. However, Ila, a little wizardess, comes up to help the heroes. Together they go to the magic world of Mirrorland to get the Icy Spirits back.
Larger than life, wild, scary and androgynous – Grace Jones plays all these parts. This electrifying journey through the public and private worlds of pop culture mega-icon Grace Jones contrasts musical sequences with intimate personal footage, all the while brimming with Jones’s bold aesthetic. A larger-than-life entertainer, an androgynous glam-pop diva, an unpredictable media presence – Grace Jones is all these things and more. Sophie Fiennes’s documentary goes beyond the traditional music biography, offering a portrait as stylish and unconventional as its subject. Taking us home with her to Jamaica, into the studio with long-time collaborators Sly & Robbie, and backstage at gigs around the world, the film reveals Jones as lover, daughter, mother, and businesswoman. But the stage is the fixed point to which the film returns, with eye-popping performances of “Slave to the Rhythm,” “Pull Up to the Bumper,” “Love Is the Drug,” and more.
Follows a married couple almost divorcing who become trapped in quicksand while hiking through a rainforest in Colombia. They will battle the elements of the jungle and must work together in order to survive.
After the sudden and mysterious death of his girlfriend, Alex (Nikola Masri) and his best friend John (Gabe Meacher) uncover a hidden family experiment that could bring Sarah (Emma Elle Paterson) back to life.
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A TV meteorologist who refuses to believe in Christmas magic searches the city for her family’s heirloom mistletoe because her sister thinks it’s magic. Her quest is aided by a childhood schoolmate.
Based on the true story of the ill-fated 13th Apollo mission bound for the moon. Astronauts Lovell, Haise and Swigert were scheduled to fly Apollo 14, but are moved up to 13. It’s 1970, and America have already achieved their lunar landing goal, so there’s little interest in this “routine” flight.. until that is, things go very wrong, and prospects of a safe return fade.
Elizabeth works for the father of her fiancé’s real estate business. In order to keep Elizabeth employed, her soon-to-be father-in-law sends her back to her hometown to persuade an ex-boyfriend to sell his ski resort to the company.
In an afterlife where souls have one week to decide where to spend eternity, Joan is faced with the impossible choice between the man she spent her life with and her first love, who died young and has waited decades for her to arrive.
An excellent musical score by the Bee Gees adds appeal to this curious little movie about two ten-year olds, Daniel and Melody (Mark Lester and Tracy Hyde) who are completely taken with each other and announce to their parents, in all seriousness, that they plan to get married. This marriage is not planned for the distant future, but as soon as possible. The uproar that is caused when their seriousness becomes clear is not too surprising. Their best friend Ornshaw (Jack Wild) is not too thrilled with their plan either. What makes the film work is that the entire story is told from the children’s point of view in which the grownups’ objections, since they have no relation to the truth of what the children are feeling, come across as silly or inconsequential.
