A psychological horror film based on the short story by H.P. Lovecraft. Daniel Upton’s relationship with his friend Edward Derby is abruptly changed after Edward becomes romantically involved with Asenath Waite, a hypnotist with an odd reputation. As Edward’s behavior becomes more erratic and events unexplainable, Daniel investigates. Is it madness…or something far more terrifying?
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It’s the Valentine’s Day weekend. Mick Turner and Olivia Pershing of the Willow Lake Inn, which is doing booming business in their bread and butter of weddings, are taking a break if only to spend a romantic weekend together, beyond preparing for the Valentine’s Day benefit concert at which Mick and his band will be performing, Mick who has a special surprise prepared for Olivia at the concert. Their romantic weekend is put on hold with the unexpected arrival of three couples. The first is Olivia’s thrice divorced, hyper-critical mother Nora Winters, and her current boyfriend, Johnny. Nora, who disliked Mick when he and Olivia dated in college but who had changed her opinion of him when they recently reunited, may have changed her mind once again in believing that Olivia is “settling” in she and Mick not having gotten married, something Nora felt the need to tell Olivia in person. The second is Mick’s daughter, Julia Turner, and her boyfriend, Wyatt. Julia’s surprise visit home in the…
Long divorced workaholic Olivia Pershing née Phillips, a Long Island stager, is getting remarried, to her pseudo business partner, equally workaholic Josh Johnson, a high end real estate agent. If they had their way, they would get married in a simple civil ceremony, however they are letting Olivia’s daughter, Grace Pershing, arrange a small weekend getaway wedding for them, no major questions asked on their end. Grace believes they are unromantic, epitomized by the fact that her mother desentimentalizes spaces for a living, hence the reason why Grace wants to arrange something special for them. Grace chooses to hold the festivities at the Willow Lake Inn, a lakefront Vermont country property, Julie Turner, on behalf of the Inn, making most of the arrangements locally. When the band that Grace chooses to perform at the ceremony cancels at the last minute, Julie even arranges for an alternate, namely her father, the Inn owner who has always had music in some form in his life, it which …
A drug addict awakens to find the girl he is with is dead, and must rush to escape the consequences. A real-time thriller presented in a single, unbroken take.
Boonie bears and bald Qiang were accidentally zoomed out by the shrink flashlight invented by himself. They had to start an adventure to zoom themselves in and smash pollution to rescue the ecosystem.
Life with Shepherd (Michiel Huisman) is the only life Selah (Raffey Cassidy) has ever known. Their self-sufficient community possesses no modern technology, and is hidden away in the woods, far from modern civilization. Shepherd is the group’s guardian, teacher, and lover. Each of the many female members of the group is either his wife or daughter. Selah is pure in faith, but also dangerously headstrong. She was raised as a daughter of Shepherd, but it is only a matter of time before she also stands to become a wife. As an encounter with the authorities forces the women and Shepherd to build a new Eden further inland, Selah increasingly doubts her faith, and has strange, bloody visions. The onset of puberty brings with it harsh new rituals, and her first shocking glimpse of what happens to Shepherd’s women as they age.
Kate Stone (Taylor Schilling) is career-focused, and enjoys her life that way. Her brash attitude keeps relationships at arm’s length, making her an outcast in her own right. When her estranged brother calls asking her to babysit her tween niece Maddie, Kate reluctantly agrees to help. But babysitting overnight unexpectedly turns into a week, and Kate’s life spins into chaos. As Maddie reveals stories of being bullied and of wanting to run away and be a Juggalo, the two form a unique bond. In FAMILY, Schilling delivers a delightful and layered comedic performance. Laura Steinel’s debut feature has heart, reminding us that family can be found in all different forms.
The story is about a family moves to a house in a countryside after a son (Jude) and mother (Liza) both traumatised from an unexpected burglary. Jude finds a dirty, dusty porcelain doll and calls it Brahms. Everything then change in a sinister way because of the doll.
When a confident college professor is courted by four eligible and well-established men, she struggles to decide who she likes the best.
Explores themes of female empowerment through sex, work, and friendship. These women are able to come together through their frustration over male dominance and in fact use their newly formed sisterhood to lean on each other and understand that they must first learn to love themselves before doing anything else.
The story of a humiliating high school mishap from 1992 that sends the Impractical Jokers on the road competing in hidden-camera challenges for the chance to turn back the clock and redeem three of the four Jokers.
When Janet Graham tries to reconnect with her crazy family during their annual spring-time Christmas celebration, she winds up being framed for her fathers’ murder. When her family decides to wait until after the holiday festivities to call the police, Janet determines to uncover the real killer before the end of the day. She seeks out clues while attending to the caroling, mashed potato snowman building, strange white elephant gift exchange, and the oddest nativity ever put on include some of their traditions. When the police show up early, she must use the home movie footage to prove her innocence and solve the mystery.
