Set in the dark and old Parramatta prison built by the original convicts our lead character Ray a war veteran finds himself serving 18 months for manslaughter after defending his fiance. He soon realizes that the prison boss has it in for him and does everything possible to break Ray even going after his fiance. He has to learn how to navigate his way around the internal politics and turf wars that exist and find a way to make it through to see his fiance again.
To reduce his blood pressure after a heart attack, a man begins killing the people who are stressing him out.
MIRACLES FROM HEAVEN is based on the incredible true story of the Beam family. When Christy (Jennifer Garner) discovers her 10-year-old daughter Anna (Kylie Rogers) has a rare, incurable disease, she becomes a ferocious advocate for her daughter’s healing as she searches for a solution. After Anna has a freak accident, an extraordinary miracle unfolds in the wake of her dramatic rescue that leaves medical specialists mystified, her family restored and their community inspired.
SNL alumni Tina Fey steps into the well worn shoes of journalist Kim Barker in Paramount Pictures’ adaptation of Barker’s memoir The Taliban Shuffle: Strange Days in Afghanistan and Pakistan, which details her years as a reporter in Pakistan and Afghanistan beginning in 2002.
Ronnie Scheib of Variety says this is writer-director Matt Sobel’s, first full length film. ‘Take Me to the River’ unfolds in an atmosphere of mystery and dread that contrasts with its surroundings’ bucolic serenity. A gay Californian teenager’s visit to Nebraskan relatives turns more nightmarish than he anticipated, for reasons that he never could have imagined, as clouds of displaced sexuality hover over flowing rivers, fertile fields and little girls on big horses. Told uniquely through the kid’s (Ryder, played by Logan Miller) largely uncomprehending point of view, this Midwestern gothic tale maintains sufficient visual distance to suggest alternative narratives from other perspectives. This superlatively acted indie film promises more than it delivers, but chillingly evokes sufficient primal dread to intrigue all audiences.
A Moroccan fisherman sets off on an epic journey towards Europe on his wind surfboard. But the pursuit of dreams does not come without sacrifice.
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When Davis Green’s alluring young cousin Alexis shows up on his doorstep, he discovers a side of his family that had been kept secret his entire life. As the two get closer, they set out to uncover the shocking secret that tore their families apart.
Two young women terrorized by a group of small town psychos seek revenge on their tormentors.
A damaged homicide detective (Johnny Messner) must prevent a grieving father from unleashing a “robotic virus” that he believes will destroy the terrorist cell that murdered his son, but at an unimaginable cost.
Bang, bang, you’re dead. No, really dead. A group of twelve year old kids play war in a forest but the audience views the action through their eyes. They fire real machine guns, hear mortars exploding around them, and dodge bloody shrapnel from grenades. I Declare War is a movie for young and adult audiences alike, featuring twelve to thirteen year old actors in the tradition of Stand By Me. With overtones of Lord of the Flies, I Declare War is a parable for not only events broadcast nightly on newscasts throughout the world, but a chilling depiction of the capacity for youth and man to take charge and to win at all costs.
A story of a family across four generations, centered on the girl who becomes the woman (Jennifer Lawrence) who founds a business dynasty and becomes a matriarch in her own right. Facing betrayal, treachery, the loss of innocence and the scars of love, Joy becomes a true boss of family and enterprise. Allies become adversaries and adversaries become allies, both inside and outside the family, as Joy’s inner life and fierce imagination carry her through the storm she faces.
