When an overenthusiastic Maya accidentally embarrasses the Empress of Buzztropolis, she is forced to unite with a team of misfit bugs and compete in the Honey Games for a chance to save her hive.

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The manufacturer of dolls Samuel Mullins is a happy family man with his wife Esther and their daughter Bee, who dies hit by a car. Twelve years later, Samuel welcomes a group of orphan girls and a nun from a closed orphanage at home. He tells that only a closed room (that belonged to Bee) and Esther’s room would be off limits for the girls. The crippled girl Janice sneaks in Bee’s room during the night and sees a doll inside a closet. She plays in the room and soon she is haunted by an evil force. What has Janice unleashed in Bee’s room?

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Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine – the 100th film by master director Takashi Miike.

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A group of students venture into the deep caves of remote Texas to locate a favorite archaeology professor who inexplicably has gone missing while searching for the Fountain of Youth. In the course of their pursuit, the group unwittingly rappels into a break in the space-time continuum, where time passes much slower than on the surface. With no hope for rescue, they descend further into the cave and uncover the most coveted urban legend in history and find themselves in the crossfire for its control.

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When an internet company decides to investigate a series of ‘Screamer’ videos, they are confronted with havoc and hell they could never expect.

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A drifter passing through a small town is drugged by three masked psychopaths and forced into a bizarre game of cat and mouse. He is chased through a series of more and more bizarre events until, in the end, he finds that this evening of terror has lasting consequences. It’s a feel bad film, nasty and brutish, red in tooth and claw.

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Batman Ninja takes a journey across the ages as Gorilla Grodd’s time displacement machine transports many of Batman’s worst enemies to feudal Japan – along with the Dark Knight and a few of his allies. The villains take over the forms of the feudal lords that rule the divided land, with the Joker taking the lead among the warring factions. As his traditional high-tech weaponry is exhausted almost immediately, Batman must rely on his intellect and his allies – including Catwoman and the extended Bat-family – to restore order to the land, and return to present-day Gotham City.

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After the untimely death of 16-year-old Martin’s father on the operating table, little by little, a deep and empathetic bond begins to form between him and the respected cardiothoracic surgeon, Dr Steven Murphy. At first, expensive gifts and then an invitation for dinner will soon earn the orphaned teenager the approval of Dr Steven’s perfect family, even though right from the start, a vague, yet unnerving feeling overshadows Martin’s honest intent. And then, unexpectedly, the idyllic family is smitten by a fierce and pitiless punishment, while at the same time, everything will start falling apart as the innocents have to suffer. In the end, as the sins of one burden the entire family, only an unimaginable and unendurable decision that demands a pure sacrifice can purge the soul. But to find catharsis, one must first admit the sin.

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We’ve always known that Spider-Man’s most important conflict has been within himself: the struggle between the ordinary obligations of Peter Parker and the extraordinary responsibilities of Spider-Man. But in The Amazing Spider-Man 2, Peter Parker finds that his greatest battle is about to begin. It’s great to be Spider-Man (Andrew Garfield). For Peter Parker, there’s no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen (Emma Stone). But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city.

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‘Genesis’ is the third feature from British writing and directing duo Bart Ruspoli & Freddie Hutton-Mills. The first in a sci-fi trilogy, ‘Genesis’ explores the nature of free will and what it means to be human, against a post apocalyptic backdrop where the remnants of mankind attempt to create A.I. to save them from extinction. The film stars John Hannah (The Mummy trilogy, Marvel’s Agents of S.H.I.E.L.D), Olivia Grant (Stardust, Indian Summers), Warren Brown (Strike Back, Luther) and Chike Okonkwo (The Birth of a Nation, Being Mary Jane).

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Set in a bloodthirsty Los Angeles, one rogue detective’s (Dean S. Jagger) obsessive search for the truth behind his parents’ murders leads him to confront a monstrous duo of Queeny (Corey Feldman) and Vince (Richard Wagner) who drag him into a Hellish nightmare he was never prepared for. Lost to an underworld of horrors dating back to the dawn of time, he soon discovers that he is actually the last surviving member of the Nash family, a historic clan of demon hunters.

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The film is based on A.G. Sulzberger’s 2010 New York Times article “For Kodachrome Fans, Road Ends at Photo Lab in Kansas” about a father and son who take a road trip to Kansas in order to develop photographs at Kodak’s last Kodachrome lab before it closes its doors forever.

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