Gabriel sets off on a new adventure with Julia after quitting his esteemed position at the University of Toronto, and he is ready to start a family.

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Three scouts, on the eve of their last camp-out, discover the true meaning of friendship when they attempt to save their town from a zombie outbreak.

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A ferocious, prehistoric Megalodon has returned to the surface, terrorizing a group of oil rig workers and members of a local fishing village.

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When an overworked single mother hires a friendly neighbor to babysit her daughter, she begins to face increasingly strange and threatening situations.

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Interracial brothers in the music business are opposites at life, love and sobriety. Featuring the music of rapper Friyie and the Supremes.

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A young woman moves into a gossipy neighborhood that is obsessed with a “Next Door”-type app. When a neighbor suddenly vanishes, the group chat pinpoints her as the prime suspect.

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A woman who survived the brutal killing of her family as a child is forced to confront the events of that day by a secret society obsessed with solving notorious crimes.

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American filmmaker Adam Christian Clark directs and stars in this jet-black comedy centered around the LA dating scene, as a self-obsessed filmmaker finds himself on the market once again. The film is a darkly funny and sometimes brutal affair. After ridiculing his girlfriend, director Astor Williams Stevenson finds himself single and trying to discover what exactly it is he wants. At the same time, he attempts to get a film off the ground and soon learns that his creative vision will not align with that of his crew. As Astor goes on a number of dates his abrasiveness and cynical attitude towards life seems to become ever more crystallized. The centerpiece of the film is a fearless performance from Clark as he embodies a man whose self-loathing is hidden by arrogance. Yet, for all his bluff and bluster Clark manages to add a sheen of vulnerability to make Astor a compelling and sympathetic character. While the film is reminiscent of great American cinema of the 1970’s

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Leonard Fife, one of sixty thousand draft evaders and deserters who fled to Canada to avoid serving in Vietnam, shares all his secrets to de-mythologize his mythologized life.

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It tells the story of Meera, who left India and her inheritance behind and now runs her own startup. When a problem threatens her company, marriage is exactly what she needs to solve it.

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It is based on the novel by Florencia Etcheves “Cornelia”, in which a teacher from a prestigious school in Buenos Aires makes a study trip with five of her students, but only returns with four because one of them disappears mysteriously. It is Cornelia Villalba, who escapes with her companions to go dancing and gets lost in the middle of the Patagonian forests.

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Caroline Williams returns to the DJ booth for the first time since her star-making turn as Stretch in 1986’s THE TEXAS CHAINSAW MASSACRE 2. A character-driven night terror, TEN MINUTES TO MIDNIGHT begins when veteran punk rock disc jockey Amy Marlowe (Williams) is bitten by a rabid bat on the eve of her final graveyard shift broadcast. When a raging storm traps Amy, her mysterious replacement (Nicole Kang, “Batwoman”), and the uneasy staff inside their small-town radio station, reality begins to fracture as they move further and further into the graveyard shift.The film draws inspiration from classic horror tales brought to life by Stephen King, “The Twilight Zone”, and other forgotten late night horror anthology programs. Also woven throughout the mayhem is a melancholic meditation on the perceived disposability of women over a certain age and a reflection on metaphysical mortality: the death of who we were and who we thought we’d be.

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