Lisa, a transgender teen at St Valentine’s High, develops feelings for rugby captain Mose while dealing with school prejudices and fighting for acceptance.

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Mick Garris directs the linking sequences set in a cinema theatre where Mickey Rourke is the projectionist and the audience are lured in to view films which feature strangely familiar characters. The Thing in the Woods, directed by Alejandro Brugués is a pastiche which throws in every cliche from slashers to alien spiders. Mirare directed by Joe Dante deals with the weirder aspects of cosmetic surgery philia, taking it far beyond any logical conclusion. Mashit directed by Ryûhei Kitamura takes place in a Boarding School where staff and pupils are possessed by Demons. This Way to Egress directed by David Slade is filmed in dark monochrome, a woman loses touch with reality and seems to have crossed into a frightening parallel universe. Dead directed by Mick Garris is set in a hospital where a boy fights evil spirits and a real life murder.

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In the 31st century, sexy blonde android Galaxina helms the crew of a space cruiser on a mission to find the Blue Star, a mystical gem that holds unlimited power.

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In the future, Simulacron, a computer project simulating reality, encounters strange occurrences after its leader’s death. Dr. Stiller questions the sudden disappearance of a friend and wonders if Simulacron holds the answers.

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Four weekend campers are hunted by an armed militia.

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On a rescue mission to the North Pole to retrieve an old friend and his lost expedition crew, Captain Mortimer gets more than he bargained for when his ship is frozen into the ice sheet and set upon by bloodthirsty fish-creatures. Mortimer and his surviving crew flee the ship, beginning a treacherous journey to find safety in a frozen desolate wilderness. Suffering from starvation, frostbite and a slow madness, they find shelter inside a snowy mountain, but are they as safe as they think, or have they entered the heart of the creatures lair.

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Don Oscar, if he wanted, could have been the next Escobar, but instead he sits on the ruins of his decrepit little drug empire. And let’s face it, there is not much left to sit on. Only a handful of his most faithful guard still remain with him. An unpaid debt starts bringing consequences and a bag with the last hidden money passes from hand to hand, from dead to dead. Loyalty proves fickle as the death toll keeps mounting. Only one ending appears likely for Don Oscar – A black comedy about thugs who are neither first-, nor second-, nor even third-class criminals in the Colombian town of Tulua. As the director remarks, “it is neither Tarantino nor a drug lord story”. It’s a simple story about low-profile thugs, a story challenging every genre cliché and prejudice.

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The McCabe family weekend getaway is turned upside down when a mysterious stranger knocks on their door.

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A married man gets cheated on by his wife and she gets pregnant. He then torments her through creative plotting via a phone.

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A 50-year-old caretaker is employed to look after 10-year-old girl. His most important task is to maintain her dentures that are made of ice and must be changed several times a day.

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Texas greenhorn Joe Buck arrives in New York City for the first time. Preening himself as a real “hustler”, he finds that he is the one getting “hustled” until he teams up with down-and-out but resilient outcast Ratso Rizzo. The initial “country cousin meets city cousin” relationship deepens. In their efforts to bilk a hostile world rebuffing them at every turn, this unlikely pair progress from partners in shady business to comrades. Each has found his first real friend.

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This film was Peter Bogdanovich’s homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O’Kelly meet and fall in love. Meanwhile, an indigent woman named Brooke Carter and an Italian gambler named Johnny Spanish meet and fall in love. All four people meet each other and become friends (actually, Kitty and Brooke had been friends since high-school), and soon, Brooke’s crude, fun-loving maid Elizabeth falls in love with Michael’s valet Rodney James. Later on, Michael and Brooke fall in love, and Kitty and Johnny decide to follow them around. In order to make Brooke and Michael jealous, they try to look like they are falling in love as well. Eventually, Michael and Johnny get into a fight but then immediately make up. Soon, Brooke and Kitty make up. The two couples pair off successfully and they live happily ever after.

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